At breakfast, the patiowas abuzz; he hemmed and hawedtelling where he'd been, and why.She tracked the wobbling lassoof a circling bottle flyas her husband swore to God.
When she swallowed his excuse,he feared she'd recognizethe object of his squinting:the fly beside her juice,illustratively hinting,rubbed and rubbed its hundred eyes.
― Gregory Di Prinzio (diprinzio), Friday, 6 December 2002 18:32 (twenty-three years ago)
― mark p (Mark P), Friday, 6 December 2002 18:45 (twenty-three years ago)
― Tracer Hand (tracerhand), Friday, 6 December 2002 19:47 (twenty-three years ago)
― donna (donna), Friday, 6 December 2002 20:10 (twenty-three years ago)
Thanks for the comments.
Mark: How about: "Breakfast on the patio"for Line 1?
This would give elective stress to "on".
Line 2 is supposed to onomatopoectic, i.e., "was abuzz": the sound of the fly.
Here's another poem:
Solitaire
The one-eyed jack is leering as he spiesa darkling queen so weary of her lotthat (damn it all to Hell) she won't look back.Her suit is an inverted heart turned black.
The suicide king, with woebegone eyes,resigned, as if his fate were all but bought,is wishing that he'd stayed inside the pack,for now his queen is looking for a jack.
The king has oversailed his laddred trainenough to see his suit and rank betrayed.And striking at his head to spite his crown,as if the cares of state had brought him down,he drives a little sword into his brain.Atop the queen the jack of hearts is laid.
― Gregory Di prinzio (diprinzio), Friday, 6 December 2002 20:45 (twenty-three years ago)
― Gregory Di prinzio (diprinzio), Friday, 6 December 2002 20:55 (twenty-three years ago)
I
The indiscriminate sail of a buspast its dock you 2 yards astray the uncomfortable hum of sweat pitching ‘long the road
the police, sick on questions, at the stop of the roadanother bus to its eyebrowsin water.
II
A lion with an ice cream headachefrom workbooks boxes pick notesand flood points close the city
the smell of stood water puddles with currentsrippled knees macerating worryingly.
III
A child subsides a swallow of earthin the cemetery amid sodden poplars‘still not found’‘last sighted’‘walking his dog’ -still-
― dwh (dwh), Friday, 6 December 2002 23:24 (twenty-three years ago)
JenniferIThe indiscriminate sail of a buspast its dock you 2 yards astray the uncomfortable hum of sweat pitching ‘long the roadthe police, sick on questions, at the stop of the roadanother bus to its eyebrowsin water.IIA lion with an ice cream headachefrom workbooks boxes pick notesand flood points close the citythe smell of stood water puddles with currentsrippled knees macerating worryingly.IIIA child subsides a swallow of earthin the cemetery amid sodden poplars‘still not found’‘last sighted’‘walking his dog’ -still-
― dwh (dwh), Friday, 6 December 2002 23:26 (twenty-three years ago)
― Mike Hanle y (mike), Saturday, 7 December 2002 01:12 (twenty-three years ago)
Richard Wilbur
Playboy
High on his stockroom ladder like a duncethe stockboy sits, and studies like a sagethe subject matter of one glossy page,as lost in curves as Archimedes once.
Sometimes, without a glance, he feeds himself.The left hand, like a mother-bird in flight,brings him a sandwich for a sidelong bite,and then returns it to a dusty shelf.
What so engrosses him? The wild decorof this pink-papered alcove into whicha naked girl has stumbled, with its richwelter of pelts and pillows on the floor,
Amidst which, kneeling in a supple pose,she lifts a goblet in her farther hand,as if about to toast a flower-standabove which hovers an exploding rose
Fired from a long-necked crystal vase that restsupon a tasseled and vermillion clothone taste of which would shrivel up a moth?Or is he pondering her perfect breasts?
Nothing escapes him of her body's graceor of her floodlit skin, so sleek and warmand yet so strangely like a uniform,but what now grips his fancy is her face,
And how the cunning picture holds her stillat just that smiling instant when her soulgrown sweetly faint, and swept beyond control,consents to his inexorable will.
― Gregory Di prinzio (diprinzio), Saturday, 7 December 2002 02:18 (twenty-three years ago)
It's a nice miniature drama, very compactly and neatly drawn. I like it (which, of course, doesn't mean I can't pick at it - a critic's license, you know).
I agree that the cadence is a bit rough at the start. For me, it might be better to cheat on the 8-syllable line format, by eliding to 7 or expanding to 9, if it resulted in a slightly more readable cadence. Or, if you are the sort who calls his own foot faults in tennis, you might wish to recast the first couple of lines.
I like the use of some end-rhyming and some end-consonance. That mix often works well for me. A bow to the left and a curtsy to the right, so to speak.
For some reason I balk at the connotations of "swallowed" in describing her acceptance of his excuse. I allow you, it fits the breakfast theme and his "feeding her a line" like a peach in a glove, but it seems to denigrate her judgement and that seems harsh. If anyone deserves a harsh epithet in this little scene, it is him.
To continue on the level of nit-picking - you might like to use "she'd" in the same line to denote she had completed her swallowing action prior to his becoming fearful.
― Aimless, Saturday, 7 December 2002 02:43 (twenty-three years ago)