"the horror of it all is too grotesque for words."

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partially inspired by both the "nadir of american culture" and "stupid old bat dies: aged 91" threads...joking with mitch about said nadir, he opined that "despite what that tarantino fellow tells you, all that violence isn't cool." i'm inclined to agree, but i also can't deny that i still do feel a certain charge watching say, hard boiled or even halloween. then, reading the uncut piece on straw dogs this month, the spectre of violence as social commentary is raised, something which is extremely intriguing and extremely dubious at the same time, running up through natural born killers and beyond. does violence, vicariously lived through word or image or even song, have a purpose? or is it all mindless blather, blood-pornography?

jess, Saturday, 24 November 2001 01:00 (twenty-four years ago)

two quotes to consider:

"some of the most power aesthetic experiences of our times, from bonnie and clyde to naked lunch, set their audiences up in this way, externalizing and magnifying their core of secret sickness which is reflected in the geeks they mock and the lurid fantasies they consume, just as our deepest prejudices and fears script the jokes we tell each other." - lester bangs on the stooges.

"the japanese comics are as violent as anything i've ever seen...they're rather honest in their violence. they're willing to be violent, willing to admit that's what they want in their fiction. we're much more hypocritical about it. violence in fiction has a stigma attached to it here. it's obvious that people want it, it's obvious that they get a certain level of pleasure out of it, it's obvious they feel guilty about it. i don't see the guilt as necessary." - frank miller on manga.

jess, Saturday, 24 November 2001 01:00 (twenty-four years ago)

I think I make some kind of distinction in my head between cartoon violence, which I can enjoy because of it's absurdity, shock/excitement violence, that while tolerable many times because of my own desensitization; I can't honestly say I enjoy at all, and cruelty, which is just plain repellant.

It makes me rather uncomfortable to know that many people *don't* make those same distinctions. I can't really feel or understand the why of that either - and not understanding the motives of others on such a deep and potentially dangerous level is... frightening I suppose.

Kim, Saturday, 24 November 2001 01:00 (twenty-four years ago)

Hi Jess, all violence, war and all abuse inflicked on ALL peoples on earth should be stopped, in order to unite us. and then and only then can we be free with God's help. It all starts with us! We have to SET the example for others to see the light. If we all can't get together and do this, we will be finished. I for one don't want the burden in my heart of not trying my best. Do you? Gale

Gale Deslongchamps, Saturday, 24 November 2001 01:00 (twenty-four years ago)

I find the images of real people being killed more shocking...For instance, there was a documentary about the Gulf War on during in the week, it featured infra-red footage of Iraqi soldiers on the retreat being picked of by helicoptor gunships...the shocking image of bright white figures falling to the ground has stayed with me. More so, than violent scenes form Reservior Dogs, where the violence is stylised and more unreal. Even though RD was far more graphic.

Also, watching stylised violence could lead to a person becoming less violent...Catharsis Effect. Though, watching too much violence will probably just make people less sensitive to it.

james, Saturday, 24 November 2001 01:00 (twenty-four years ago)

Some part of me imagines the deaths of perceived, distant enemies and quivers with delight.

Then I think of all the innocents, of the hackings, the slashings, the crushings, the disemboweling, the grinding, the raw red dead meat.

Read Avram Davidson's "Now Let Us Sleep."

Ned Raggett, Saturday, 24 November 2001 01:00 (twenty-four years ago)

I don't get any shock from any sort of violence, whether it's fake or pictures of real people being hacked up. I don't get a big thrill out of it either (maybe a little one), but because I have that inborn insensitivity I tend to react against violence in art more strongly than most people. It's a sort of compensation in action for my deficiency in conscience.

However, I find it very easy to joke about violence, any sort, because I see a huge line between humor and actions (I KNOW what I mean when I SAY it, that is), which is odd as humor and violent art are the same sort of thing in my mind. When people were saying, "Will we ever be able to joke about the September 11 tragedy?" I was thinking, "Yes, I could if it wouldn't offend you so horribly." Because I am completely insensitive.

Maria, Saturday, 24 November 2001 01:00 (twenty-four years ago)

Oh, I've joked here and there too. Humor is the great defense and the great release -- and it's needed.

Ned Raggett, Saturday, 24 November 2001 01:00 (twenty-four years ago)

Actually, for the most part, I don't find movie violence (especially not the hyper-aware 'tom & jerry'-ish carnage of Tarantino) particularly offensive. BUT, did anyone's inner 13 yr old *not* feel a little thrill watching security guards getting mowed down in The Matrix?

Mitch Lastnamewithheld, Sunday, 25 November 2001 01:00 (twenty-four years ago)

I avoided that particular issue quite easily by not seeing the movie. And I'll refuse to see it until a digital edit of it is released replacing Keanu Reeves' character throughout with something that has more inherent acting ability and charisma, such as a big squishy ball of lard.

Ned Raggett, Sunday, 25 November 2001 01:00 (twenty-four years ago)

it was an awful movie that didn't live up to the hype BUT he is really, really pretty.

Maria, Sunday, 25 November 2001 01:00 (twenty-four years ago)

oh maria...how could you? keanu?

jess, Sunday, 25 November 2001 01:00 (twenty-four years ago)

Keanu Reeves kept Just 17 (aaaah thems were the days) going entirely when I was back in high school, phwoar eh gurls? I did not really fancy him in the movie SPEED though and apparently I was suposed to, cue young Sarah wondering if she was a GAYIST cos she liked Sandra Bullock more. Later on young Sarah used her BRANE and snapped out of it DERE GOD.

Someone said on another thread that these people who would create works (books/film) ect "justified" like so: here is what happens but do not do it, here it is in book form for you. This wasn't really discussed as I recall so do you think that viewpoint is valid or just akin to "saying something to get people to think"?

Sarah, Monday, 26 November 2001 01:00 (twenty-four years ago)

preferring KR to SB = mentalism whatever yr gender sarah — i hop this is what yr BRANE told you

mark s, Monday, 26 November 2001 01:00 (twenty-four years ago)


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