― Manny Parsons (Rahul Kamath), Thursday, 31 October 2002 05:40 (twenty-three years ago)
― Mark (MarkR), Thursday, 31 October 2002 05:47 (twenty-three years ago)
― paul cox (paul cox), Thursday, 31 October 2002 05:48 (twenty-three years ago)
Oh yeah, the packaging kicks everybody's ass. Just my .02
― Brenya, Thursday, 31 October 2002 08:32 (twenty-three years ago)
― chaki (chaki), Thursday, 31 October 2002 08:37 (twenty-three years ago)
― Tad (llamasfur), Thursday, 31 October 2002 08:48 (twenty-three years ago)
― chaki (chaki), Thursday, 31 October 2002 09:03 (twenty-three years ago)
It's great. It's actually the first Sigur Ros release that I really like from start to finish. As Brenya mentioned, much darker and more depressive. Somehow I hear traces of the first The 3rd And The Mortal album too.
― Siegbran (eofor), Thursday, 31 October 2002 09:46 (twenty-three years ago)
I like Track 4, though, and I don't usually like Sigur Ros.
― Matt DC (Matt DC), Thursday, 31 October 2002 12:16 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Thursday, 31 October 2002 15:07 (twenty-three years ago)
Speaking of the song titles: These songs have always had working titles to them. Most of them based on their overall feel or in-jokes of the band.[ie, The Death Song, The Quiet Song ,The Nothing Song]
The band never gave them official titles and until now all of these songs were concert only. I still call them by their working titles, though, and I suspect that most everyone else will, too.
And I still think it's a Goth lover's wet dream.
― Brenya, Thursday, 31 October 2002 15:11 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Thursday, 31 October 2002 15:12 (twenty-three years ago)
― Andy K (Andy K), Thursday, 31 October 2002 15:23 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Thursday, 31 October 2002 15:26 (twenty-three years ago)
― Chris V. (Chris V), Thursday, 31 October 2002 15:36 (twenty-three years ago)
― willem (willem), Thursday, 31 October 2002 15:42 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Thursday, 31 October 2002 15:45 (twenty-three years ago)
― ian johnaon, Thursday, 31 October 2002 15:53 (twenty-three years ago)
― kate, Thursday, 31 October 2002 16:16 (twenty-three years ago)
― alex in mainhattan (alex63), Thursday, 31 October 2002 16:18 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Thursday, 31 October 2002 16:22 (twenty-three years ago)
― kate, Thursday, 31 October 2002 17:26 (twenty-three years ago)
I don't quite hear the hobbit/LOTR connection with Sigur Ros...Summoning Let Mortal Heroes Sing Your Fame is much more geared towards that kind of atmosphere while also doing the repetitive/ambient thing. Vocals are equally love them/hate them though (although of course totally different, subdued high pitched gibberish vs "roaring on a windswept mountain peak" kind of thing).
― Siegbran (eofor), Thursday, 31 October 2002 17:28 (twenty-three years ago)
― Mark (MarkR), Thursday, 31 October 2002 17:31 (twenty-three years ago)
― kate, Thursday, 31 October 2002 17:32 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Thursday, 31 October 2002 17:57 (twenty-three years ago)
― Dan Perry (Dan Perry), Thursday, 31 October 2002 19:45 (twenty-three years ago)
― Sean Carruthers (SeanC), Thursday, 31 October 2002 19:47 (twenty-three years ago)
― mark p (Mark P), Thursday, 31 October 2002 19:51 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Thursday, 31 October 2002 19:59 (twenty-three years ago)
― Sean Carruthers (SeanC), Thursday, 31 October 2002 20:32 (twenty-three years ago)
― Callum (Callum), Thursday, 31 October 2002 21:53 (twenty-three years ago)
― Sterling Clover (s_clover), Thursday, 31 October 2002 21:58 (twenty-three years ago)
― Callum (Callum), Thursday, 31 October 2002 22:01 (twenty-three years ago)
(nb: this is a nasty crack which i don't actually mean except that i just had to make it becuase, oh christ, i just did)
― Sterling Clover (s_clover), Thursday, 31 October 2002 22:05 (twenty-three years ago)
― Callum (Callum), Thursday, 31 October 2002 22:07 (twenty-three years ago)
― Jordan (Jordan), Thursday, 31 October 2002 22:21 (twenty-three years ago)
― nabisco (nabisco), Thursday, 31 October 2002 23:43 (twenty-three years ago)
Yes, she was on the first EP "Sorrow" and the debut album around 1994. After that she went solo, and after a rather good dreamy folk-ish demo CD signed with Sony Norway in 1997? 1998? and she somehow got marketed/coaxed into a blatant Tori Amos clone (Mesmerized is really, really bad). Last thing I heard was that she got dumped by Sony.
But it's mainly because of her vocals working so well on that TT&TM album, which really sounded a lot like that last track on ( ) that I would like to hear her on Sigur Ros material.
― Siegbran (eofor), Friday, 1 November 2002 00:43 (twenty-three years ago)
― Michael Dieter, Friday, 1 November 2002 05:24 (twenty-three years ago)
― Mr Swygart (mrswygart), Friday, 1 November 2002 11:10 (twenty-three years ago)
― Callum (Callum), Friday, 1 November 2002 19:17 (twenty-three years ago)
― Chris V. (Chris V), Friday, 1 November 2002 19:21 (twenty-three years ago)
― jel -- (jel), Saturday, 2 November 2002 17:56 (twenty-three years ago)
I can't get "Hljomalind" out of my head. This may be the best thing I've heard from these guys.
― turkey, Tuesday, 6 November 2007 09:09 (eighteen years ago)
from today's Dusted review of the new album/EP, a quote that parallels this ILM discussion nicely:
It's tempting to label Sigur Rós as Windham Hill for those who want something hip but smooth. Listening to these songs is like being a rat in a maze: Every move is calculated for you, and if you follow the path as laid out, you'll get your dessert. But while things seem sweet for a while, there's no escaping a feeling of constriction. It's all so tightly buttoned down that the first listen evokes a certain déjà vu; You haven't heard it before, and yet you know what's going to happen anyway.
― stephen, Tuesday, 6 November 2007 15:55 (eighteen years ago)
The "it's predictable" argument is weak because you can apply it to 99% of all music. Is minimal techno calculated for you because you know you're hearing thumpthumpthump for ten minutes? Is rock predictable because you likely know exactly when the chorus is going to start?
The "predictable" label is simply a way to justify writing a half-assed review, i.e. "this album is predictable so there's no need listen to this very carefully -- I already know what it'll sound like!" OTOH, one can just write "I didn't like this album", hey, that's cool too and it's a lot more honest than dismissing something as too predictable to be worth your time.
― NoTimeBeforeTime, Wednesday, 7 November 2007 09:11 (eighteen years ago)
Special tonight on The Culture Show, 11.35pm BBC2.
― willem, Friday, 4 January 2008 14:16 (eighteen years ago)