― Maimonides (Maimonides), Tuesday, 11 March 2003 15:08 (twenty-three years ago)
― stevem (blueski), Tuesday, 11 March 2003 15:23 (twenty-three years ago)
― Nick Southall (Nick Southall), Tuesday, 11 March 2003 15:31 (twenty-three years ago)
― Ned Raggett (Ned), Tuesday, 11 March 2003 15:47 (twenty-three years ago)
― Tracer Hand (tracerhand), Tuesday, 11 March 2003 16:46 (twenty-three years ago)
― Nick Southall (Nick Southall), Tuesday, 11 March 2003 16:54 (twenty-three years ago)
I used to herald _Pure Phase_ as the sign of my waning interest in them, but on a whim i played it last week, and while better than i remembered, it's nowhere near as good as _LGM_. The later albums have left me cold, but i'm a minority in that camp. I'm always curious to hear what he's up to, but unless there's a major stripping-down going on in the next incarnation of the band, i don't hold out much hope for his new work captivating me.
― Matt Maxwell (Matt M.), Tuesday, 11 March 2003 18:01 (twenty-three years ago)
LAGWAFIS / LICD = the difference between epic arrangements because THAT IS WHAT THE SONGS DEMAND and epic arrangements for the sake of it. (Ladies and Gents being the good record). Also the difference between well-constructed epic arrangements that show lightness of touch / farfing loads of instruments onto the record with no care or thought.
Spiritualized's good records are good on their own, but grate when played together because of Pierce's irritatingly one-dimensional god-love-drugs lyrical schtick (which had, like the music, gone into bloated self-parody by LICD).
on the whole, they're closer to being overrated than underrated, but they're still v.good...
― weasel diesel (K1l14n), Tuesday, 11 March 2003 18:12 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Tuesday, 11 March 2003 18:46 (twenty-three years ago)
I'm still holding out for the next album, and I do like "Out Of Sight" by itself as a piece of Bob Ezrin-esque bombast.
― Chris Barrus (xibalba), Tuesday, 11 March 2003 21:59 (twenty-three years ago)
― robin (robin), Tuesday, 11 March 2003 22:04 (twenty-three years ago)
― A Nairn (moretap), Tuesday, 11 March 2003 22:13 (twenty-three years ago)
― Chris Barrus (xibalba), Tuesday, 11 March 2003 23:22 (twenty-three years ago)
― electric sound of jim (electricsound), Tuesday, 11 March 2003 23:31 (twenty-three years ago)
― Mr Noodles (Mr Noodles), Wednesday, 12 March 2003 00:13 (twenty-three years ago)
― russ t, Wednesday, 12 March 2003 11:22 (twenty-three years ago)
― weasel diesel (K1l14n), Wednesday, 12 March 2003 11:23 (twenty-three years ago)
― Matt DC (Matt DC), Wednesday, 12 March 2003 11:49 (twenty-three years ago)
― Maimonides (Maimonides), Wednesday, 12 March 2003 12:19 (twenty-three years ago)
I'm pretty sure Jason walked by me on Clerkenwell Rd the other day. I tried very hard not to stare as he had kind of a rabbit in the headlights expression when he noticed me staring.
― kate, Wednesday, 12 March 2003 15:15 (twenty-three years ago)
― Maimonides (Maimonides), Wednesday, 12 March 2003 15:25 (twenty-three years ago)
― Chris Barrus (xibalba), Thursday, 13 March 2003 01:22 (twenty-three years ago)
― Spencer Chow (spencermfi), Thursday, 13 March 2003 01:29 (twenty-three years ago)
― Ned Raggett (Ned), Thursday, 13 March 2003 03:32 (twenty-three years ago)
― Dave M. (rotten03), Thursday, 13 March 2003 03:44 (twenty-three years ago)
― electric sound of jim (electricsound), Thursday, 13 March 2003 03:46 (twenty-three years ago)
It's due out now I believe. Hell, I've got all the original releases and I'll probably get it.
― Chris Barrus (xibalba), Thursday, 13 March 2003 05:23 (twenty-three years ago)
LAZER GUIDED MELODIES
It is constructed as the ultimate classic vinyl listening experience:4 color-coded cross-faded suitesRed = LoveGreen = NatureBlue = The BluesBlack = The Void
Some bands are at their apex in their debut and this album stands out from their later works because it doesn't contain the same superfluous excess. It has a sonic clarity and purity of vision which is absent from subsequent sessions. It is more ethereal and flows the best.
It is an audiophile's dream and perhaps the best produced album of all time.
― Graveyard Poet, Monday, 25 February 2013 10:35 (thirteen years ago)
While LGM is my favorite Spiritualized album, my favorite song from Jason Pierce is the thirteen transcendental minutes of "Feel So Sad".
It is the shining moment of the Spaceman's career.
― Graveyard Poet, Monday, 25 February 2013 10:36 (thirteen years ago)
http://piximus.net/media/9972/obese-man-turns-to-social-media-1.jpg
― hey, corsano's no pussy, dude (Nilmar Honorato da Silva), Monday, 25 February 2013 10:39 (thirteen years ago)
Ladies and gentlemen, Graveyard Poet.
― they all are afflicted with a sickness of existence (Scik Mouthy), Monday, 25 February 2013 10:44 (thirteen years ago)
ppl who are bigger fans of this band than me: plz help me locate a song by either Spiritualized (very early) or Spacemen 3 (quite late)—it was a cover, possibly released as a single w/ a video involving ~psychedelic imagery~, short and poppy (bout 4 minutes?)... wish I had more to go on but then I probably woulda found it myself by now!
― fiscal cliff racer (bernard snowy), Monday, 25 February 2013 12:09 (thirteen years ago)
Anyway That You Want Me - The Troggs cover?
― Damo Suzuki's Parrot, Monday, 25 February 2013 12:27 (thirteen years ago)
haha yes that's totally it! thanks!!
― fiscal cliff racer (bernard snowy), Monday, 25 February 2013 12:31 (thirteen years ago)
thats a bloody sick cover
― Nilmar Honorato da Silva, Monday, 25 February 2013 12:37 (thirteen years ago)
It is awesome, but it's about 7 minutes long, iirc...
― they all are afflicted with a sickness of existence (Scik Mouthy), Monday, 25 February 2013 14:56 (thirteen years ago)
dear Graveyard Poet or other fans of LGM, can you answer this question for me?
so on the US 1996 reissue of this CD, the one that only has four tracks, the version of "Angel Sigh" is altered as follows:
Track 4 is approximately 1 minute longer than the UK 4 track release. However, this is not due to a different version of one of the tracks; approximately 1 minute into Angel Sigh the song restarts and then plays the track all the way through.
Was this intentional? It seems like it could just be a mistake that got left in - anybody know? I am splitting up the tracks on my CD of this and feel like I should edit it properly if it's a mistake.
― sleeve, Monday, 25 February 2013 15:29 (thirteen years ago)
http://www.headheritage.co.uk/unsung/review/2247/
ent of the Spaceman's career. Over the course of its thirteen transcendental minutes, Jason Pierce moves the listener from the dark depths of sorrow and suffering to the spiritual heights of a sublime bliss-out. The effect verges upon a near-death experience.A disembodied voice, drifting in the void, mournfully intones a blues-gospel lament in the chambers of cathedral reverb:"Sweet Lord I knowI hate this lonely life soLord I knowTime goes slowI feel so aloneSweet LordSweet Lord is this my fateTo live my life in this stateLord I prayI long for a changeBut it still remainsSweet LordSweet Lord it's a sinTo live this life sufferingI feel so sadSweet Lord"The pain is healed by the floating tones of a Farfisa organ and soothing woodwinds. A flute solo delicately enters like a soft spring or summer breeze. A bright and golden brass section floods down glowing sunlight through the gray and stormy clouds. The clouds part as the soaring strings lift the listener. The blues-gospel prayer is repeated once more which is then followed by an even more triumphant ascension as distant percussion announces the music of the spheres. The keyboards, woodwinds, brass, and strings now send the listener past shimmering stars, spinning planets, spiral galaxies, and supernovas. The voyage quietly returns to the realm of the nebula, of the womb."Feel So Sad" is one of the greatest songs of all time.
A disembodied voice, drifting in the void, mournfully intones a blues-gospel lament in the chambers of cathedral reverb:
"Sweet Lord I knowI hate this lonely life soLord I knowTime goes slowI feel so aloneSweet LordSweet Lord is this my fateTo live my life in this stateLord I prayI long for a changeBut it still remainsSweet LordSweet Lord it's a sinTo live this life sufferingI feel so sadSweet Lord"
The pain is healed by the floating tones of a Farfisa organ and soothing woodwinds. A flute solo delicately enters like a soft spring or summer breeze. A bright and golden brass section floods down glowing sunlight through the gray and stormy clouds. The clouds part as the soaring strings lift the listener. The blues-gospel prayer is repeated once more which is then followed by an even more triumphant ascension as distant percussion announces the music of the spheres. The keyboards, woodwinds, brass, and strings now send the listener past shimmering stars, spinning planets, spiral galaxies, and supernovas. The voyage quietly returns to the realm of the nebula, of the womb.
"Feel So Sad" is one of the greatest songs of all time.
― Vote in the ILM 70s poll please! (Algerian Goalkeeper), Monday, 25 February 2013 17:10 (thirteen years ago)
oops
SpiritualizedFeel So SadReleased 1991 on DedicatedReviewed by Graveyard Poet, 24/02/2013ce"Feel So Sad" is the shining moment of the Spaceman's career. Over the course of its thirteen transcendental minutes, Jason Pierce moves the listener from the dark depths of sorrow and suffering to the spiritual heights of a sublime bliss-out. The effect verges upon a near-death experience.A disembodied voice, drifting in the void, mournfully intones a blues-gospel lament in the chambers of cathedral reverb:"Sweet Lord I knowI hate this lonely life soLord I knowTime goes slowI feel so aloneSweet LordSweet Lord is this my fateTo live my life in this stateLord I prayI long for a changeBut it still remainsSweet LordSweet Lord it's a sinTo live this life sufferingI feel so sadSweet Lord"The pain is healed by the floating tones of a Farfisa organ and soothing woodwinds. A flute solo delicately enters like a soft spring or summer breeze. A bright and golden brass section floods down glowing sunlight through the gray and stormy clouds. The clouds part as the soaring strings lift the listener. The blues-gospel prayer is repeated once more which is then followed by an even more triumphant ascension as distant percussion announces the music of the spheres. The keyboards, woodwinds, brass, and strings now send the listener past shimmering stars, spinning planets, spiral galaxies, and supernovas. The voyage quietly returns to the realm of the nebula, of the womb."Feel So Sad" is one of the greatest songs of all time.
Released 1991 on DedicatedReviewed by Graveyard Poet, 24/02/2013ce"Feel So Sad" is the shining moment of the Spaceman's career. Over the course of its thirteen transcendental minutes, Jason Pierce moves the listener from the dark depths of sorrow and suffering to the spiritual heights of a sublime bliss-out. The effect verges upon a near-death experience.
― Vote in the ILM 70s poll please! (Algerian Goalkeeper), Monday, 25 February 2013 17:11 (thirteen years ago)
morehttp://www.headheritage.co.uk/unsung/reviewer/8120
― Vote in the ILM 70s poll please! (Algerian Goalkeeper), Monday, 25 February 2013 17:14 (thirteen years ago)
Lord Can You Hear Me is another of his greatest songs. It was the song that got me into the Spacemen 3, at the time it sounded remarkable and on another level to all of the similar type bands.
― Damo Suzuki's Parrot, Monday, 25 February 2013 17:25 (thirteen years ago)
Here's me thinking this was the title of the next album
― Mark G, Tuesday, 26 February 2013 21:23 (thirteen years ago)
@sleeve, from wikipedia:
Some US versions, on BMG, have, since 1996, retained a skip on all copies, causing "Angel Sigh" to false-start after about one minute. This error is one of the longest-standing in the major-label CD era, at thirteen years and counting.
― fit and working again, Tuesday, 26 February 2013 21:57 (thirteen years ago)