― man, Tuesday, 11 March 2003 22:15 (twenty-three years ago)
― jess (dubplatestyle), Tuesday, 11 March 2003 22:19 (twenty-three years ago)
― Charles McCain, Tuesday, 11 March 2003 22:22 (twenty-three years ago)
― Fritz Wollner (Fritz), Tuesday, 11 March 2003 22:26 (twenty-three years ago)
― jess (dubplatestyle), Tuesday, 11 March 2003 22:27 (twenty-three years ago)
― Fritz Wollner (Fritz), Tuesday, 11 March 2003 22:28 (twenty-three years ago)
― jess (dubplatestyle), Tuesday, 11 March 2003 22:38 (twenty-three years ago)
Soul wins my heart
― mauve, Tuesday, 11 March 2003 22:39 (twenty-three years ago)
― hstencil, Tuesday, 11 March 2003 22:40 (twenty-three years ago)
― oops (Oops), Tuesday, 11 March 2003 22:43 (twenty-three years ago)
― Tracer Hand (tracerhand), Tuesday, 11 March 2003 22:46 (twenty-three years ago)
― gaz (gaz), Tuesday, 11 March 2003 22:48 (twenty-three years ago)
― oops (Oops), Tuesday, 11 March 2003 23:00 (twenty-three years ago)
― Burr, Tuesday, 11 March 2003 23:41 (twenty-three years ago)
― Dan I. (Dan I.), Tuesday, 11 March 2003 23:44 (twenty-three years ago)
― electric sound of jim (electricsound), Tuesday, 11 March 2003 23:47 (twenty-three years ago)
― jess (dubplatestyle), Tuesday, 11 March 2003 23:49 (twenty-three years ago)
― brg30 (brg30), Wednesday, 12 March 2003 00:05 (twenty-three years ago)
― Sami (Sami), Wednesday, 12 March 2003 00:07 (twenty-three years ago)
― Geir Hongro (GeirHong), Wednesday, 12 March 2003 00:09 (twenty-three years ago)
― Dan I. (Dan I.), Wednesday, 12 March 2003 04:06 (twenty-three years ago)
though they were obv. great.
― Sterling Clover (s_clover), Wednesday, 12 March 2003 04:52 (twenty-three years ago)
― Lord Custos Epsilon (Lord Custos Epsilon), Wednesday, 12 March 2003 05:00 (twenty-three years ago)
― Neudonym, Wednesday, 12 March 2003 05:33 (twenty-three years ago)
So--they're really, in the final analysis, inseparable.
― Jess Hill (jesshill), Wednesday, 12 March 2003 14:44 (twenty-three years ago)
― rex jr., Wednesday, 12 March 2003 14:47 (twenty-three years ago)
That's okay, cause all britpop sucks GIGANTICtime. ;-)
Funk music, it seems to me, is actually a continuation of soul music, but after incorporating the balls-out energy of rock music. Like...Marvin Gaye + The Who = Sly and the Family Stone. That's what I think anyway.
― nickalicious (nickalicious), Wednesday, 12 March 2003 14:54 (twenty-three years ago)
Great soul and great funk are equally great.
― Jacob (Jacob), Wednesday, 12 March 2003 16:13 (twenty-three years ago)
― Tom (Groke), Wednesday, 12 March 2003 16:14 (twenty-three years ago)
― Lord Custos Epsilon (Lord Custos Epsilon), Wednesday, 12 March 2003 16:30 (twenty-three years ago)
― Martin Skidmore (Martin Skidmore), Wednesday, 12 March 2003 20:44 (twenty-three years ago)
which is of course the best kind
― Neudonym, Wednesday, 12 March 2003 20:49 (twenty-three years ago)
― Martin Skidmore (Martin Skidmore), Wednesday, 12 March 2003 22:33 (twenty-three years ago)
Then they'll usually have a separate section called "r&b" which has stuff like Lattimore, Bobby Bland, Johnny "Guitar" Watson and so forth.
― Mr. Diamond (diamond), Wednesday, 12 March 2003 22:38 (twenty-three years ago)
― Neudonym, Wednesday, 12 March 2003 22:48 (twenty-three years ago)
― nickalicious (nickalicious), Wednesday, 12 March 2003 22:49 (twenty-three years ago)
― Martin Skidmore (Martin Skidmore), Wednesday, 12 March 2003 22:55 (twenty-three years ago)
-- Mr. Diamond
Bobby Bland, to me, is really a blues singer. Like Junior Parker. Latimore is greasy southern soul, like Bobby Rush or Marvin Sease. Johnny Guitar Watson is something inbetween, like a lot of New Orleans guys. I mean is Earl King a blues artist? R&B? Soul? Funk? Snooks Eaglin? You can go nuts trying to figure out where to put it, when I worked in the obligatory record store I used to sneak the Tyrone Davis out of "blues" and put it back into pop/rock, I mean if Marvin Gaye is in that section then why not Tyrone Davis?
Down south those categories really don't matter. If you ever travel down I-55 between Memphis and Jackson, Miss. and listen to the radio, you'll hear all that stuff mixed together...gospel, rap, "blues," "soul," "funk." It really is one big thing, in my opinion. R&B is the best overall term for the whole scene. Funk really means, these days, post-James-Brown music...Parliament/Funkadelic, Zapp, Gap Band, Twennynine, Slave, Fatback...a lot of people put Lee Dorsey and the Meters, whom someone on some thread a while back dissed stupidly, into the funk category, but I think New Orleans music is sui generis and really stands apart from the productions of any other locale in the United States.
As far as the distinctions go, Martin S., you're not wrong, there is a big difference in how you play soul and funk. Soul is generally more relaxed, funk is a little tenser. Good example of how terms mean one thing to listeners and quite another to those who actually play the music and know how important those little things like being ahead/behind the beat, etc., are to genres. As I always say, and I'm sure I'm just a bore, once you divorce these genres--soul, funk, r&b, etc.--from their natural audience, which is dancers, you are less and less able to perceive what makes them distinct. Not that there's anything wrong with mixing "genres" and all that, just that we ought to preserve the idiomatic in some small way, don't you think?
The Stax stuff is soul music but there are times when they play funk. The later Stax music, post-'68, is more like funk music, because a lot of it wasn't recorded in Memphis to begin with...like "Mr. Big Stuff" for example.
― Jess Hill (jesshill), Wednesday, 12 March 2003 23:55 (twenty-three years ago)