'Value for Money'

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Should the cost of a record be proportionate to how much it cost to make it, and what would happen in a parallel universe where this was the case?

dave q, Saturday, 15 March 2003 10:40 (twenty-three years ago)

bedroom electronica would be dirt cheap, and the Korn album would be $500 a throw and sell sod all

electric sound of jim (electricsound), Saturday, 15 March 2003 11:22 (twenty-three years ago)

don't you mean, 'should the value of the rec be propotionate to how much it cost?'

Julio Desouza (jdesouza), Saturday, 15 March 2003 13:36 (twenty-three years ago)

No, cuz once you buy a record it has no value whatever

dave q, Saturday, 15 March 2003 17:42 (twenty-three years ago)

um, I don't quite understand that.

I mean if you spend 10 quid on a rec and get more out of it than a 40 quid boxset surely that's 'value for money'.

but I actually I just reread yr first post and I get the question.

the and= no bcz you gotta pay the marketing ppl and managers.

Julio Desouza (jdesouza), Saturday, 15 March 2003 17:47 (twenty-three years ago)

If the formula is production cost sets consumer costs I would probably be able to afford a lot more records.

brg30 (brg30), Saturday, 15 March 2003 19:53 (twenty-three years ago)

In practice there's not much difference - the business case for the average CD release pretty much follows the rule of thumb that the cost of recording per unit should be around $1. Hence, the estimated sales figures determine the recording budget...not the other way round.

For artists with their own studios (ie, nearly all dance/electronic music producers) recording costs are pretty difficult to estimate as all the gear is extremely expensive but "hourly rates" of that studio are zero.

Siegbran (eofor), Saturday, 15 March 2003 20:06 (twenty-three years ago)

The classical label CPO sort of adheres to this idea; a solo disc is cheaper than a chamber disc is cheaper than an orchestral disc.

Captain Sleep (Captain Sleep), Sunday, 16 March 2003 10:00 (twenty-three years ago)


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