― S Samson, Sunday, 16 March 2003 22:53 (twenty-three years ago)
BOTH TOTALLY CLASSIC!
― Alex in NYC (vassifer), Sunday, 16 March 2003 23:04 (twenty-three years ago)
http://www.allmusic.com/cg/amg.dll?p=amg&uid=6:03:39|PM&sql=Aqcaxlfhe5cqe
It is aural disturbance.
― S Samsonite, Sunday, 16 March 2003 23:07 (twenty-three years ago)
― AndrewC, Sunday, 16 March 2003 23:45 (twenty-three years ago)
― Scott Seward, Monday, 17 March 2003 00:57 (twenty-three years ago)
― Paul R (paul R), Monday, 17 March 2003 14:13 (twenty-three years ago)
― Siegbran (eofor), Monday, 17 March 2003 14:19 (twenty-three years ago)
― Alex in NYC (vassifer), Monday, 17 March 2003 15:09 (twenty-three years ago)
― j fail (cenotaph), Monday, 17 March 2003 16:21 (twenty-three years ago)
― summerslastsound (summerslastsound), Monday, 17 March 2003 16:32 (twenty-three years ago)
― Pashmina (Pashmina), Monday, 17 March 2003 17:57 (twenty-three years ago)
― matt riedl (veal), Monday, 17 March 2003 19:41 (twenty-three years ago)
bits of the ambient drones on side 2 are reused in Vorhaus' electronic score for the amazing ant film 'Phase IV'.
― jl, Monday, 17 March 2003 20:08 (twenty-three years ago)
― jl, Monday, 17 March 2003 21:28 (twenty-three years ago)
I have a David Vorhaus library music lp which is pretty much shite.
― Mr. Diamond (diamond), Monday, 17 March 2003 21:39 (twenty-three years ago)
― jl, Monday, 17 March 2003 21:45 (twenty-three years ago)
― Pashmina (Pashmina), Tuesday, 18 March 2003 13:40 (twenty-three years ago)
― Øystein Holm-Olsen (Øystein H-O), Thursday, 20 March 2003 01:00 (twenty-three years ago)
― flëétwøöd måçk (jaxon), Friday, 7 July 2006 22:05 (nineteen years ago)
― brettino's bounce (Da ve Segal), Saturday, 8 July 2006 04:10 (nineteen years ago)
According to his MySpace page:
"White Noise IV - Inferno"AMP Records AMP-CD010 (1990) AVAILABLEAn original release from AMP Records, including some material from several Vorhaus commercial music library albums (with tracks published by KPM) recorded around that time. Instrumentation concentrates more on sound sampling using the Fairlight CMI, plus Yamaha DX FM synthesizers and hybrid analog/digital sounds using the PPG Wave 2.2.
"White Noise 4" dates from around the start of the UK's Channel 4 and includes several pieces heard as links on that TV station. The album includes some great atmospheric pieces, powerful orchestrally influenced tracks and innovative sampling techniques.
David Vorhaus was the first Fairlight CMI computer musical instrument user outside Australia, and created many of the library sound samples for the machine. Most striking of these was the notorious "Orch 5" which invented the concept of the sampled "orchestral hit" and was widely used, among others by Klaus Schulze.
― Naive Teen Idol (Naive Teen Idol), Friday, 29 September 2006 14:02 (nineteen years ago)
― Bumblepuppy (Horbgorbling Slubberdegullion), Friday, 29 September 2006 14:08 (nineteen years ago)
― PappaWheelie burried Paul. The clues are there man! (PappaWheelie 2), Friday, 29 September 2006 14:30 (nineteen years ago)
― emil.y (emil.y), Friday, 29 September 2006 14:39 (nineteen years ago)
― boney (b0n3y), Saturday, 30 September 2006 06:37 (nineteen years ago)
― Rombald (rombald), Sunday, 1 October 2006 07:18 (nineteen years ago)
Wow wow wow how did I never hear this before?
― i'm shy (Abbott), Tuesday, 7 April 2009 22:20 (seventeen years ago)
"The Visitations" is tangible spooky.
https://www.youtube.com/watch?v=XH3aYVbILP4
― damo tsu tsuki (r1o natsume), Monday, 14 September 2009 22:32 (sixteen years ago)
that's david vorhaus demonstrating his MANIAC sequencer
― damo tsu tsuki (r1o natsume), Monday, 14 September 2009 22:34 (sixteen years ago)
without sound without sound without sound
― puff puff post (uh oh I'm having a fantasy), Sunday, 15 January 2012 19:39 (fourteen years ago)
Love the first album so much (obviously) but I've never gone any further than the second album.
It's just completely demented how it can leap from utterly out there and mind-bending music to complete and total cheese in the space of just moments. There's something really quite disconcerting about silly knees-up played on really amazing sounding synths.
My Game Of Loving is one of those tracks that always catches me out - I put it on and the first part is so great that I forget about the whole 2 minute orgasm section, embarrassing if anyone else is in the room with you. It came up on random at a previous art show and I had to dive across the room to get it off the speakers before anyone heard.
― White Chocolate Cheesecake, Sunday, 15 January 2012 20:48 (fourteen years ago)