Blindman, with your piece of paper, what you gonna do?Blindman, with your paper, can you see it through?Your name on that paper means so much to you,You made a promise, you would get them through.The girls to the miners, you would fix them too.They've been taken,You've lost them all and the money too.They've been taken,You've lost them all and the money too.
Come on, blue, what you gonna do now?Come on, blue, what you gonna do now?
Mexico, you've got to go, you know it just ain't fair-To get your women back, now hurry because they're all there.You're all alone but you'll make it alright,You'll find your women thereBut to get them, you'll have to fight.
Come on, blue, what you gonna do now?
I guess it was recorded for one of Ringo's movies, so maybe the lyrics have something to do with the plot of the film and aren't just total abstract f***ing weirdness. Even if this is so, the song is still really strange. It was recorded by Ringo and Klaus Voorman. The backing track is synth and echo-y acoustic guitar. Then, there's this musique concrete-like link to the 1st chorus (I swear). The chorus features these single electric guitar chords and gnarly, loud vibraslap hits.
Ringo was also apparently working on an electronic music album for Zapple (seemingly) back in '69. The only place I've EVER read anything about this is on Joseph Brennan's "Gibb Songs" Bee Gees site, which contains the following entry regarding Maurice Gibb's participation in the project:
personnelRingo Starr -- synthesizerMaurice Gibb -- vocal
MODULATING MAURICEwriters: Richard Starkey, Maurice Gibb (1969)recorded early 1969, Ringo Starr residence, Londonlead vocal Maurice Gibbstereo unreleased
Ringo Starr recorded enough pieces for a synthesizer album at home in early 1969. His next-door neighbor Maurice came by and recorded random words and phrases as "vocals" to Ringo's synthesizer riff on a track they called "Modulating Maurice", according to Ringo's statements in a March 1969 newspaper article. Ringo's album was abandoned.
This is not the countryish instrumental that has been bootlegged as "Modulating Maurice". That piece is really "To dance again", by all three Bee Gees, and has no relation to this recording with Ringo. See 1970.
― Tim Ellison, Wednesday, 9 June 2004 04:56 (twenty-two years ago)
There's a documentary on Zapple records on BBC radio this weekend (forget which station, its Radio 2 or 4), this might clear this up /add something.
― mark grout (mark grout), Wednesday, 9 June 2004 07:26 (twenty-two years ago)
― Rickey Wright (Rrrickey), Wednesday, 9 June 2004 07:30 (twenty-two years ago)
7" Apple single. Blue apple label.
The a-side was rumoured to be all Marc Bolan's work (song and all), but I'm pretty sure that's been disproven.
― mark grout (mark grout), Wednesday, 9 June 2004 07:36 (twenty-two years ago)
― el sabor de gene (yournullfame), Wednesday, 9 June 2004 09:37 (twenty-two years ago)
― harveyw (harveyw), Wednesday, 9 June 2004 14:40 (twenty-two years ago)
― Tim Ellison, Thursday, 10 June 2004 04:47 (twenty-two years ago)
This has "Blindman" on mp3, but it seems to want to install "components" so I dunno...
― mark grout (mark grout), Friday, 11 June 2004 08:49 (twenty-two years ago)
― Beta (abeta), Friday, 11 June 2004 13:02 (twenty-two years ago)
― mark grout (mark grout), Tuesday, 15 June 2004 10:17 (twenty-two years ago)
― Dadaismus (Dada), Tuesday, 15 June 2004 10:33 (twenty-two years ago)
― dave amos, Tuesday, 15 June 2004 11:32 (twenty-two years ago)
― mark grout (mark grout), Tuesday, 15 June 2004 12:02 (twenty-two years ago)
― briania (briania), Tuesday, 15 June 2004 14:03 (twenty-two years ago)
― Tim Ellison, Tuesday, 15 June 2004 17:16 (twenty-two years ago)
― mark grout (mark grout), Tuesday, 9 November 2004 10:24 (twenty-one years ago)
Some more "highlights":
* Telling the crowd to SAY MY NAME and the crowd firing back with RINGO! This was repeated three or four more times.
* Telling the crowd that he usually doesn't perform this next song, but tonight's an exception and ripping into "Octopus' Garden".
IT'S LIKE ONE OF ONLY TWO BEATLE SONGS THAT YOU ACTUALLY WROTE, RINGO! "DOESN'T USUALLY PERFORM THIS..." IS BULLSHIT.
* Telling the crowd that they were the best crowd that he had seen all night.
* And at the end of Yellow Submarine, where an auditorium full of AARP members danced to a children's tune, he said that usually he and the rest of the band would duck backstage and wait for the crowd to cry ENCORE. But this one night only, he wasn't going to do that [because of the cameras filming], but he still wanted to hear the crowd MAKE SOME NOISE.
And somewhere in there, he introduced Colin Hay who sang "Who Can It Be Now?" for the 46,825th time. After that, the wife and I kept our eyes peeled for Howard Jones, Paul Young, or any of the Finn Brothers to suddenly appear as well.
― Pleasant Plains /// (Pleasant Plains ///), Friday, 26 August 2005 20:02 (twenty years ago)
Ognir Rrats: tsidrag-tnava. Pretty good. But not a patch on the pants of Eivets Rednow.
― k/l (Ken L), Friday, 26 August 2005 20:08 (twenty years ago)
Confirmation bias perhaps but I have noticed Goodnight Vienna, the CD of which I bought as a Beatles obsessed child, popping up in more and more hip vinyl videos.
It does have a stacked cast of players tbf but I do not remember the music living up to it.
― a ZX spectrum is haunting Europe (Daniel_Rf), Wednesday, 11 February 2026 13:19 (four months ago)
it's maybe the best Ringo LP, so like a 6.5/10
― in the realm of the essence of Tong (Camaraderie at Arms Length), Wednesday, 11 February 2026 13:23 (four months ago)
Weren't kidding about the players on the record, but I suspect the LP cover alone provides some kitsch value.
― Josh in Chicago, Wednesday, 11 February 2026 14:21 (four months ago)
I thought the general consensus was his self titled third album was his best.
― The Olde, Old, Very Olde Man. (Tom D.), Wednesday, 11 February 2026 14:51 (four months ago)
The s/t album is also a 6.5, ditto Beaucoups of Blues.
― in the realm of the essence of Tong (Camaraderie at Arms Length), Wednesday, 11 February 2026 15:42 (four months ago)
Sentimental Journey meanwhile is 0.65
― The Olde, Old, Very Olde Man. (Tom D.), Wednesday, 11 February 2026 15:46 (four months ago)
Yeah Sentimental Journey is representative of the bulk of his discography.
― in the realm of the essence of Tong (Camaraderie at Arms Length), Wednesday, 11 February 2026 15:48 (four months ago)
I don't think he has any other albums that sound like it tbf?
― you can see me from westbury white horse, Wednesday, 11 February 2026 15:50 (four months ago)
he might've had a decent career as a country crooner
― The Luda of Suburbia (Alfred, Lord Sotosyn), Wednesday, 11 February 2026 15:51 (four months ago)
I like the 1973-76 albums quite a lot - Rotogravure is the dark horse, but not the Dark Horse - and some of the later albums (at least of those I have heard) like Time Takes Time, Vertical Man and (especially) Ringo Rama all have their moments. They're all essentially the sound of mates patting each others' backs but that's the appeal of solo Ringo, and also why I only visit once every now and then.
― you can see me from westbury white horse, Wednesday, 11 February 2026 15:52 (four months ago)
xxp representative in terms of quality that is
― in the realm of the essence of Tong (Camaraderie at Arms Length), Wednesday, 11 February 2026 15:53 (four months ago)
Ringo's Rotogravure is the record I'm partial to, yeah! And the front cover is uglier than Goodnight Vienna's. (But I'm serious that Rotogravure is my Ringo of choice.)
― TheNuNuNu, Wednesday, 11 February 2026 15:56 (four months ago)
mates patting each others backs is not something I usually find of any interest unfortunately. would give rotogravure a 5.
― in the realm of the essence of Tong (Camaraderie at Arms Length), Wednesday, 11 February 2026 16:00 (four months ago)
It's not something that inspires me to push through a 20-album discography at anything other than a snails pace
― you can see me from westbury white horse, Wednesday, 11 February 2026 16:06 (four months ago)
re:Rotogravure cover, I can't believe it's from 1976 and not 86
― you can see me from westbury white horse, Wednesday, 11 February 2026 16:08 (four months ago)
Beaucoups of Blues is my favorite Ringo solo LP. Produced by Pete Drake and engineered by Scotty Moore, with Charlie Daniels and Jerry Reed on guitars and the Jordanaires on backing vocals. Sounds like a typical Nashville country record from that era, the songs aren't super special but it's just nice to put on. Also amazing cover art
― Cattedrale metropolitana di Santa Maria de Episcopio, Wednesday, 11 February 2026 16:48 (four months ago)
I like Stop and Smell the Roses more than Rotogravure!
― timellison, Thursday, 12 February 2026 03:08 (four months ago)
His last album is good too! Nice companion piece yo ‘Beacoups of Blues’.
― Dan Worsley, Thursday, 12 February 2026 11:30 (four months ago)