For example, ...And You Will Know Us By the Trail of Dead. I don't have any of their older albums, but from what I've heard, I think I like them. I don't have enough money to buy all the music I want, so I don't buy many CD's at a time. Source Tags, from my understanding, is a classic album. Everywhere I hear about it, it's a glowing review. Worlds Apart, the album coming out tomorrow, on the other hand, is getting mixed reviews. Some people saying it's great, some other people saying it's worse than their older material.
Now, if neither of these were new, I'd definitely get Source Tags first. Since Worlds Apart is coming out tomorrow, however, I'm going to buy that one instead. I like to be able to see reviews of new music I just got so I can compare opinions to my own. I like to see ILM/internet discussion so I can think in my head, "ROFFLE that guy is dumb WTF" or "OMG OTM!!!!!!!!!!!!" And it's just not the same searching for discussions/reviews of an older album and then react to it as if it's current. I prefer to actually be current.
Do you do this? Is it lame?
― Mickey (modestmickey), Tuesday, 25 January 2005 01:02 (twenty-one years ago)
― polyphonic (polyphonic), Tuesday, 25 January 2005 01:06 (twenty-one years ago)
I actually totally loved Source Tags and Codes when it came out and listened to it every day for hours. I haven't listened to it in like a year--maybe I will now.
― mrjosh (mrjosh), Tuesday, 25 January 2005 01:12 (twenty-one years ago)
― Tim Ellison (Tim Ellison), Tuesday, 25 January 2005 01:13 (twenty-one years ago)
Seconded.
― Alex in NYC (vassifer), Tuesday, 25 January 2005 01:14 (twenty-one years ago)
― fauxhemian (fauxhemian), Tuesday, 25 January 2005 01:14 (twenty-one years ago)
― bprofane (AaronHz), Tuesday, 25 January 2005 01:16 (twenty-one years ago)
― Al (sitcom), Tuesday, 25 January 2005 01:17 (twenty-one years ago)
― bprofane (AaronHz), Tuesday, 25 January 2005 01:18 (twenty-one years ago)
Do we think of music existing in a void, a la the new critical approach to literature? Should we consider and place value in music as isolated entities, devoid of context? Or, do we appreciate music within a wider context, a la new historicism. Is the surrounding dialogue a part of our perception of music? Should it be?
For me it is, and that's why I like to be current. Is that "right" though?
― Mickey (modestmickey), Tuesday, 25 January 2005 01:20 (twenty-one years ago)
― Andrew (enneff), Tuesday, 25 January 2005 01:37 (twenty-one years ago)
― Tim Ellison (Tim Ellison), Tuesday, 25 January 2005 01:41 (twenty-one years ago)
― Mickey (modestmickey), Tuesday, 25 January 2005 01:44 (twenty-one years ago)
― baktovis, Tuesday, 25 January 2005 01:45 (twenty-one years ago)
― owen reading, Tuesday, 25 January 2005 01:46 (twenty-one years ago)
― dave q (listerine), Tuesday, 25 January 2005 02:48 (twenty-one years ago)
― Tim Ellison (Tim Ellison), Tuesday, 25 January 2005 03:05 (twenty-one years ago)
And if they're touring, then I'll want to hear their most recent stuff so I'll know what to expect if I see their show.
― MindInRewind (Barry Bruner), Tuesday, 25 January 2005 03:26 (twenty-one years ago)
Thirded-ed.
(ST&C has a brilliant opening track, but it's not quite worth the cost of the entire CD. you should just d/l it or buy it off iTunes. It's called "It Was There That I Saw You.")
― poortheatre (poortheatre), Tuesday, 25 January 2005 03:39 (twenty-one years ago)
― Hurting (Hurting), Tuesday, 25 January 2005 03:58 (twenty-one years ago)
― walter kranz (walterkranz), Tuesday, 25 January 2005 06:10 (twenty-one years ago)
― briania (briania), Tuesday, 25 January 2005 07:11 (twenty-one years ago)
ITA=I Totally Agree. IADT=I Always Do That.
― earinfections (Nick Twisp), Tuesday, 25 January 2005 07:33 (twenty-one years ago)
This is partly because I have this strange little theory that journalists frequently don't have enough time to listen to a new album properly before they're required to review it, so they regularly fail to realise how great an album is until it's too late; and then subsequently attempt to redress this error and atone for their sins by lavishing on the relevant artist's next album, all the praise that, with the benefit of hindsight, they realise they should have lavished on the previous one.
Of course it should go without saying that this theory is almost certainly a complete pile of crap.
― Stewart Osborne (Stewart Osborne), Tuesday, 25 January 2005 10:12 (twenty-one years ago)
AYWKWNBTHTIABAITNROIUSBNAHTTTTTOD suck.
― Sick Mouthy (Nick Southall), Tuesday, 25 January 2005 11:03 (twenty-one years ago)
― emil.y (emil.y), Tuesday, 25 January 2005 13:41 (twenty-one years ago)
― bprofane (AaronHz), Wednesday, 26 January 2005 01:24 (twenty-one years ago)
Case in point: Pitchfork's strong review today of the utterly boring new Sharon Jones record, which pales in comparison to her awesome first record, which Pitchfork has never mentioned.
― polyphonic (polyphonic), Wednesday, 26 January 2005 01:28 (twenty-one years ago)