"Cello Counterpoint" is also good, kind of dense. I'm not a cello lover, but I find this piece likeable.
There's an interview with Reich in the liner notes in which he discusses how both pieces moved him into what were, for him, new harmonic areas. I wouldn't know how to begin to discuss that, but I do hear something a bit different in these pieces, so while to a large extent they return to an earlier sound of his, they aren't mere repetitions of it.
― Rockist_Scientist (RSLaRue), Tuesday, 6 December 2005 01:20 (twenty years ago)
― Rockist_Scientist (RSLaRue), Tuesday, 6 December 2005 01:44 (twenty years ago)
― tom west (thomp), Tuesday, 6 December 2005 02:48 (twenty years ago)
― tom west (thomp), Tuesday, 6 December 2005 02:52 (twenty years ago)
― Rockist_Scientist (RSLaRue), Tuesday, 6 December 2005 03:12 (twenty years ago)
― Banana Nutrament (ghostface), Tuesday, 6 December 2005 04:20 (twenty years ago)
― dabnis coleman's ghost (dubplatestyle), Tuesday, 6 December 2005 04:22 (twenty years ago)
I was thinking earlier that there is a joyous quality in what I would think of as mid-period Steve Reich (though I might be dividing things in a lopsided way) that I don't think is ever going to quite be recaptured in his work. I'm not thinking of Tehillim, which I like but not quite as much as I used to, but "Drumming", "Octet" and "Music for 18 Musicians" (which I need to buy!).
― Rockist_Scientist (RSLaRue), Tuesday, 6 December 2005 04:28 (twenty years ago)
The Cave, City Life, Triple Quartet, Three Tales, all sold back, not sure what it'd take to get me to check out another new piece at this point. The DVD of Korot's video for Three Tales, however, is one of the most unintentionally funny things I've seen in the last year and I kind of wish I'd hung onto it just to be able to occasionally inflict it on people, it's really special
― milton parker (Jon L), Tuesday, 6 December 2005 04:48 (twenty years ago)
― milton parker (Jon L), Tuesday, 6 December 2005 04:51 (twenty years ago)
This is good, not so earthshakingly good that I think it's a must hear type of thing. I do need to make myself sit down and pay full attention to "Cello Counterpoint" since I think there's some interesting stuff going on there that I'm missing (but could partially grasped if I listened more carefully).
― Rockist_Scientist (RSLaRue), Tuesday, 6 December 2005 04:53 (twenty years ago)
― MindInRewind (Barry Bruner), Tuesday, 6 December 2005 05:03 (twenty years ago)
Heh, I thought Three Tales was brilliant (regardless of how I felt about its message) when I first got it but have barely played it since. I just put on the start of "Dolly" and can see where you're coming from. Maybe it's partly just that I find this kind of political propaganda-more-or-less kind of manipulative and wearying. Same feeling that turned me off Koyaanisqatsi when I saw it. (Do still like the soundtrack to that though.)
― Sundar (sundar), Tuesday, 6 December 2005 07:54 (twenty years ago)
The Cave does have interesting imagery by Korot from what I remember of a live concert performance of it. That one does need the DVD treatment. (Or does one exist now?)
Not heard the new CD that RS mentions yet.
― Jeff W (zebedee), Tuesday, 6 December 2005 11:35 (twenty years ago)
― 11V (11V), Tuesday, 6 December 2005 11:44 (twenty years ago)
― Dominique (dleone), Tuesday, 6 December 2005 13:08 (twenty years ago)
new harmonic areas, like, why so quick to leave the old PERFECT area
when i listen to '18' i feel like the world is different, life is different
when i listen to 'you are' it's like, hm, music
― j., Sunday, 17 August 2014 21:52 (eleven years ago)