― jess, Sunday, 24 March 2002 01:00 (twenty-four years ago)
― Arthur, Monday, 25 March 2002 01:00 (twenty-four years ago)
― Ned Raggett, Monday, 25 March 2002 01:00 (twenty-four years ago)
― Alex in SF, Monday, 25 March 2002 01:00 (twenty-four years ago)
*checks last twenty years*
That's pretty sludgeworthy, I admit.
― Justyn Dillingham, Monday, 25 March 2002 01:00 (twenty-four years ago)
― anthony, Monday, 25 March 2002 01:00 (twenty-four years ago)
― gareth, Monday, 25 March 2002 01:00 (twenty-four years ago)
― jacob, Monday, 25 March 2002 01:00 (twenty-four years ago)
― willem, Monday, 25 March 2002 01:00 (twenty-four years ago)
― moi, Monday, 25 March 2002 01:00 (twenty-four years ago)
― Queen G, Monday, 25 March 2002 01:00 (twenty-four years ago)
That's a point actually: do they judge the songs on musical merrit alone, or on how well they work with their given film? (Especially since all were composed for film scores?)
― Anna, Monday, 25 March 2002 01:00 (twenty-four years ago)
― dleone, Monday, 25 March 2002 01:00 (twenty-four years ago)
― Keiko, Monday, 25 March 2002 01:00 (twenty-four years ago)
― g, Monday, 25 March 2002 01:00 (twenty-four years ago)
― A Nairn, Monday, 25 March 2002 01:00 (twenty-four years ago)