the band that best addresses 'USA' and the subject of USA

randy newman?

The Proclaimers

Any gansta rap act: Materialism, misoginy and racism.

(Not too mention vulgar macho ideals)

and poor spelling

dead kennedys?

personally i think michael mcdonald nailed it when he released sweet freedom

don't get tricked by THE AMERIKAN RUSE

http://ec1.images-amazon.com/images/I/51BPZACM6HL._SS500_.JPG

MC5 Back in the USA ^^reviewed by some lsd-addled hippiue

WOP-BOP-A-LU-BOP-A-LOP-BAM-BOOM. Thud. "Tutti Frutti," which opens the partly excellent MC5 album, is easily the worst cut on it, and in a way a clue to the rest of the record, which ends, stiffly enough, with "Back In The USA." The MC5 have roots; or their producer Jon Landau does, or somebody does. Over four minutes of totally pointless music is expended in "proving" that fact - and regardless of the possible coy significance of this one-time "Killer Band" singing "Back In The USA" as if it was some kind of confession, the performances of the old rock dead, like someone reciting the alphabet instead of using the letters to make words.
There are some first-rate songs on the album, some good musical ideas, and the musicianship is competent throughout, often fun, sometimes exciting. "Musicianship," here, is used as a concept - the idea of a "solid, clean, tight and together" sound is as self-conscious as the total freak out the first LP was. Chuck Berry simply oozes from the album.
A group of teenage consciousness numbers fill out the album - a reworking of themes from the Beach Boys, Chuck Berry, Gene Vincent, old South Philly street music, and the like. There's "Shakin' Street" - the title predicts both the words and music; "Call Me Animal"; "High School" - sis boom bah, rah rah rah, and so on. And then there are the cuts that make it, make it all the way, that show the real talent and special gifts of this band.
"Teenage Lust" is just what is sounds like - urges all over the place, good hard rock (lacking any bass sound, as does the LP throughout, which is a drag), and those lines that Rob Tyner sings with such showmanship: "I need a healthy outlet for/For my teenage lust." If you don't think that's funny, you didn't go to high school in the USA. Coming off the humor and the drive of the music, the song cuts deep, like "I get around." "The American Ruse" is probably the best thing the band has recorded; an attempt at phrase-making that just might come off:

I used to say the pledge of allegiance
Until they beat me bloody down at the station
They haven't got a word outa me
Since I got a billion years probation

BOOM
'69 American terminal stasis
The air's so thick it's like breathin' in molasses
I'm sick and tired of payin' these dues
And I'm sick to my guts of the American RUSE!

That, in a few lines, is classic rock and roll songwriting. It's rarely done

better. The chord changes that power the song seem to match up with the hurried tempo - the band can't wait to get to that last line, and the impact of every moment is heightened by the rush. Virtually the whole album is fast and edgy - but the problem of the music is in its competence. And the problem of its competence is in its so-carefully worked out intentions. Nothing was left to chance.
Nothing was left to chance, it seems, because this album, and the songs on it, constitute a very conscious attempt to do for teenage America what the rock and roll of the Fifties did instinctively and naturally - create a young community of spirit, affection, excitement, and self-consciousness. It's an attempt to define themes and problems and a offering of political, social and emotional solutions. The clean, direct approach of the sound is the necessary vehicle for the straightforward consciousness of the message: "Look, kid, you're not just some alienated sap bugged by the system, you're part of a gang that doesn't have rules yet, doesn't have leaders yet, but it's forming, kid, get on." That's what Peter Townshend did with "My Generation," what Eddie Cochran did with "Come On Everybody".
But the music, the sound, and in the end the care with which these themes have been shaped drags it down, save for two or three fine numbers that deserve to be played on every jukebox in the land. The street music of the MC5 has none of the animalism of the Good Rats (you might still find their brilliant LP - Kapp KS 3580) or uncontrollable drive of those first crucial sides by the Who. You can decide what to do, but if you feel like you know it all, like you've seen it all, when it comes time to make the music, there's really nothing there but an idea.
Phil Spector once talked about the difference between "records" and "ideas" - "The man who can make a disc that's a record and an idea will rule the word," he said in his typically moderate fashion. The MC5 album, for the most part, remains an idea, because in the end it sounds like a set-up. "Teenage Lust" and "American Ruse" and "Human Being Lawnmower" break through, and they belong on singles, and on the charts. All the way up the charts.

Simon Smith And The Amazing Dancing Bear

I may go out tomorrow if I can borrow a coat to wear
Oh, I'd step out in style with my sincere smile and my dancing bear
Outrageous, alarming, courageous, charming
Oh, who would think a boy and bear
Could be well accepted everywhere
It's just amazing how fair people can be

Seen at the nicest places where well-fed faces all stop to stare
Making the grandest entrance is Simon Smith and his dancing bear
They'll love us, won't they?
They feed us, don't they?
Oh, who would think a boy and bear
Could be well accepted everywhere
It's just amazing how fair people can be

Who needs money when you're funny?
The big attraction everywhere
Will be Simon Smith and his dancing bear
It's Simon Smith and the amazing dancing bear

What goes on in your mind?
I think that I am falling down.
What goes on in your mind?
I think that I am upside down.
Lady, be good, and do what you should,
you know it'll work allright.
Lady, be good, do what you should,
you know it'll be allright.

I'm goin' up, and I'm goin' down.
I'm gonna fly from side to side.
See the bells, up in the sky,
Somebody's cut the string in two.
Lady, be good, and do what you should,
you know it'll work alright.
Lady, be good, do what you should,
you know it'll be alright.

One minute one, one minute two.
One minute up and one minute down.
What goes on here in your mind?
I think that I am falling down.
Lady, be good, and do what you should,
you know it'll work alright.
Lady, be good, do what you should,
you know it'll be alright.

+ THE MOVIE BADLANDS

Ifwhiteamericatoldthetruthforonedayitsworldwouldfallapart

like someone reciting the alphabet instead of using the letters to make words

i like this sentence very much

Derek B

The Exploited? ;)

JOHN FAHEY

NEBRASKA

They'll love us, won't they?
They feed us, don't they?

The most typical American ever to enter a stage:

http://www.nndb.com/people/776/000027695/liberace-LotImg15176.jpg

Hongroe: The South Will Rise Again

hongro: Will Leave The House Again (one day)

GEIR TEACH ME ALL U KNOW ABOUT WITE AMERICA

http://www.avatune.com/pics/04030637.jpg

I touched Liberace's coat once. Really.

damn, Geir!

I'm so bored with the USA

Off the top of my head:

Second place - Neil Young. 'Keep on Rocking,' of course, etc., but also a lot of on the road songs that are not about America but are very American.

First Place - Bruce Springsteen. You don't want to say it because it's too obvious what with 'Born in the USA,' but if you stop and think about it, it's true. He's got several albums that are named after places in the US, and many, many songs that address American lives and American political issues: See 'Across the Border' re immigration, 41 shots re the NYPD Diallo shooting, everything off Nebraska, etc. Uh ... Streets of Philadelphia, Atlantic City, yeah. Hands down winner. Lock thread.

But "Born In The USA" isn't about the USA. It is about Vietnam!

Actually it's about Americans going to Vietnam, and part of the 'story' takes place in the US. Read the lyrics.

america america is killing its youth

Actually America is killing Iraqi youth. *sigh*. Even that is being exported!

Forced Reality

James Brown
Lynyrd Skynyrd
the MC5

Serious answer: The Band, even though they were Canadians.
Country, blues and gospel all in one, and then lots of Wild West romantics in addition. Can you possibly get more American than that?

Right now in 2007, Ian Hunter is on the short list with Shrunken Head.

+ THE MOVIE BADLANDS

-- strgn, Friday, May 25, 2007 6:19 AM (Yesterday) Bookmark Link

hi whoever you are i love you whoever you are

HUEY LEWIS

gigiddy-gigiddy-goo!

the clash on london calling, tee-hee

dylan/the band on the basement tapes is a pretty straight representation of white America.

http://images.amazon.com/images/P/B000002B9P.01.LZZZZZZZ.jpg

Beach Boys
Butthole Surfers

I'm so bo-or-ored of the Y S I

bo diddley.

THE GRATEFUL DEAD.

Charles Ives

MODEST MOUSE

This Is A Long Drive For Someone With Nothing To Think About
The Lonesome Crowded West
The Moon & Antarctica

America is about wanting to be some other place.

America is about wanting to be some other place.

America is about wanting someone else to be some other place.

oh Badlands, such a great flick...