In 1996/7, the time when I first started listening to a lot of music and really giving a shit about it, Regurgitator and Spiderbait were pretty huge in Australia. Does anyone remember them as fondly as I do? Have any non-Antipodeans here heard of them?
Standing out from the pack of Australian alternative bands that included the Aussie-Britpop You Am I, the rootsy Cruel Sea, the MOR Powderfinger and the rest that mostly just catered to the moshpit, these two did all the stuff that 'intelligent' bands are supposed to: incorporate lots of influences, write witty lyrics etc. I'd almost go as far as to say that Regurgitator invented nu-metal, and played it a zillion times better than their followers. (Check 'Kong Foo Sing') Then on their 1997 album 'Unit' they surprised everyone by going all eighties. Basically they combined a dumbed-down post-grunge noisy pop sound with a dumbed-down '80s synth pop sound, but it was glorious fun, and the lyrics were brilliant: 'Everyday Formula' goes from bathroom hygiene to existential anguish, 'The World of Sleaze' delivers on its title's promise, and '! (The Song Formerly Known As)' is an awesomely funky Prince rip-off and an anti-social anthem. It was all kind of 'ironic' and 'pomo' which I thought was cool, and to me it only got annoyingly smartarsish on their later albums.
Spiderbait had an amazing pop-Black Sabbathy chunky riffing sound perfected on the classic 'Buy Me a Pony', a very bitter swipe at the music/movie/fashion industry's way of picking up and spitting out potential stars. It was played a lot and got annoying but it's pretty undeniable. 'Ivy & the Big Apples' is one of those great kitchen sink albums with frequent dynamic & tempo shifts. The groovy instrumental 'When Fusion Ruled the Earth' sticks out in my mind.
But is this just nostalgia talking? On AMG both of Regurgitator's 'classic' albums get 2.5 stars and it breaks my heart! Surely a blend of fun and intelligence makes the best pop music, and I think these bands achieved that. Classics or duds, people?
― Keith McD, Thursday, 11 July 2002 00:00 (twenty-three years ago)
― Keith McD, Friday, 12 July 2002 00:00 (twenty-three years ago)
― OCP, Friday, 12 July 2002 00:00 (twenty-three years ago)
― Andrew, Sunday, 14 July 2002 00:00 (twenty-three years ago)
― Ess Kay, Sunday, 14 July 2002 00:00 (twenty-three years ago)
― Tim, Sunday, 14 July 2002 00:00 (twenty-three years ago)
― electric sound of jim, Sunday, 14 July 2002 00:00 (twenty-three years ago)
Wo! I can't believe I forgot about what may be Regurgitator's very best song, the last track on Unit 'It's a Beautiful Story', a heartbreaking Atheist hymn/love song:
[cheesy melancholy synths] "All I am and all I'll ever be/ Is a brain in a body/ Live til I die and then rot away/ It's a beautiful story./ [pom pom pom strings] All I've heard and it's true/ There ain't no God there's just me and you/ I don't see a point to this place/ But I'm happy to be floating in spaaace/ [orchestra swells, bring on big staccato guitar, vocals change from contented whisper to anguished yelp] I won't mind if you're holding my hand/ And life seems so fine if you don't understand/ That the world spins around and you don't give a damn/ If we all die away and we never come back again." [at some point there is an awesome triumphant synth-brass solo. At the end, after "never come back again" there is just the synth intro again, sounding very lonely]
Now that I think of this song, (I haven't actually listened to this stuff in preparation for this thread) I am totally convinced that Regurgitator were brilliant.
― Keith McD, Sunday, 14 July 2002 00:00 (twenty-three years ago)
i'm listening to the regurgitator 'new' ep for the first time in at least 7 years. it's actually pretty good.
track 1 is as hilarious as it is rockin
― Charlie Howard, Thursday, 12 July 2007 09:13 (eighteen years ago)
they were pretty great for a while there - that ep ('blubber boy'!!), the first two albums and bits of the third. not afraid to be funny or make weird stylistic leaps. didn't they get an 18-minute single in the charts that was mostly some electronic noise with a 90-second hardcore track in the middle somewhere?? that 'crush the losers' single they put out around the time of the olympics was just awful "aren't we clever?" horribleness, though.
― haitch, Thursday, 12 July 2007 10:31 (eighteen years ago)
and they were pretty much gone after that, the jokes fell flat and the music sounded like bad nu-metal.
tim so right about spiderbait's knack for genre mimicry. even deep house! ('arse huggin' pants')
also i had my photo taken on the unfinished spanish galleon of finley lake.
― haitch, Thursday, 12 July 2007 10:36 (eighteen years ago)
I really should buy Grand Slam, all the singles from that were excellent.
I stand by the implication of my post above, which is that there was something very genuine and sincere about the way Spiderbait dabbled in pop. Like, their cover of "Our Lips Are Sealed" as "Alex the Seal" - not a joke so much as a tribute to the how good a pop song can sound when you're five years old even though you get the words totally wrong (I remember an interesting interview with that singer from Texas of all people where she talks about how she loved Rumours as a child but couldn't understand why Lindsay Buckingham compared himself to secondhand shoes...).
― Tim F, Thursday, 12 July 2007 10:38 (eighteen years ago)
Spiderbait retreated back into rock a bit after that though didn't they? I get the impression they were somewhat peturbed by the rise of Jet etc.
― Tim F, Thursday, 12 July 2007 10:40 (eighteen years ago)
I think these two bands, although they seem corny, are incredibly important for today's Australian local music scene. I remember a time when Triple J (National Alternative music station) played albums by these artists until they faded. 'Buy me a pony' and 'Blubber Boy' by Spiderbait and Regurgitator are great songs played with such enthusiasm that not many bands possess today.
― Deirdre22, Thursday, 12 July 2007 14:37 (eighteen years ago)
listened all the way through flight of wally funk for the first time today.. such a good record. i understand why some people got off the bus after grand slam but this record deserved a better fate. i do suspect though that their desire to be all things to all people didn't do them many favours.
― c.c. crabcock (electricsound), Thursday, 2 July 2009 05:07 (sixteen years ago)