I find it very striking that Underworld/Orbital/Leftfield/Moby are/were hyped to the moon and back, while I rarely hear/heard this stuff
in clubs. If "club credibility" is any indication, I would rather nominate the last Rank 1, Marco V, Mauro Picotto, Push, Cosmic Gate, Hybrid, Tiesto, Ferry Corsten or Blank & Jones albums. Is the failure to appeal to club DJs a prerequisite for the "home-listener-who-never-actually-goes-clubbing"?
― Siegbran Hetteson, Monday, 15 July 2002 00:00 (twenty-three years ago)