How many of you have vivid visual imagery? (& mental models of music)

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I am virtually a non-visualizer. While I am awake, I occasionally get momentary flashes of visual images, but I have never been able to stabilize them, let alone direct them ("now picture the cloud turning purple"). For those of you who do visualize vividly, how big a part does that play in your music listening?

I am especially interested in what sort of mental models of music you create. Although I don't get to see visual imagery, I still have a sort of mental model of different songs, different types of music, and not just in terms of an auditory image. I don't know how to describe it.

DeRayMi, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

New answers, please. If this question is too ill-formed, feel free to hijack and make more focused.

DeRayMi, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

by that you mean things like seeing music as colours and things like that.

In that case no is the ans but anthony braxton to thread!

Julio Desouza, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

Not feeble at all -- are you referring in part to synathesia (hope I've spelled that right) or just general conceptions? I have a vision of music that often suggests colors in my head but not automatically -- also, senses of space and height/depth play a large part.

Ned Raggett, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

I mean, do you see things in your mind's eye? And then, if so, does music tend to trigger a lot of that?

But when I'm talking about having a model for music, it's not necessarily something that happens while you're listening to the music. It's more something you carry around with you.

If emotions are a way of modeling our values, and music is a way of modeling emotions, (two big ifs which many of you won't agree with, at least across the board), then our mental models of music are models of a model of a model. (Plato would not be happy.)

DeRayMi, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

I had a musician friend who often would have very precise (sometimes kind of funny) images conjured up by certain songs. Like, "That distorted trumpet is a kind of wavy pink line above the other sounds."

DeRayMi, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

FRED SOLINGER TO THREAD! He's a synaesthete, you know.

Michael Daddino, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

I do but it's uh hard to explain. Maybe I'll take a stab at it later today. But it's sort of a spacial thing. Like you, DeRayMi, I don't think I can stabilize or direct my mental model / imagery, unless I just think about that instead, but when I do get these kinds of flashes of what my model looks like (if you will), they seem to be consistent over time.

Josh, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

Try having a look at the book Brian Eno: His Music and the Vertical Colour of Sound by Eric Tamm - interesting if a bit highbrow for me.

Lisa, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

I once did some visualization-strengthening excercises suggested by a more or less Thelemite ritual magickian but I lost patience with them.

DeRayMi, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

All they did was to give me the power of invisibility.

DeRayMi, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

i find it impossible to hear music without visualising accompanying imagery in my mind. this will more often than not be the video - but if the video's crap than i will remember the time when the song was released and from there what i was doing at the time and probably some kind of humiliating soul-sucking experience that continues to haunt my ever-distorted psyche...

but thats only for Radiohead ;)

if the song has no video and the people behind it are faceless to me but i like the song i will make up a video to go with. this is one of the best pastimes in the world ever to do on your own that doesnt involve physical exertion altho it can get very frustrating when your idea for the video is so good but you cant really make it for real...or if your video is better than the one that does actually exist for the song - buh

, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

i entirely listen to music in a visual manner and always have. this is why i have always loved classical music and jazz - i soundtrack them. i have a walkman because i like the combination of image and music which is unusual but striking in my mind. an example: elvis costello's collaboration with brian eno "my dark life" is almost certainly not about a rotting boat hulk just outside paignton and a bird covered in oil, but as the image hit so did the song and now the two are intertwined. when i read, i listen to music and hope for the similar fixedness with text and music (one of the reasons i love jonathan coe so much because he's so steeped in that aspect of his writing). probably also why i hate dancing to music and PERVERSELY live music. because the visuals are so dull. a discussion on here about the flaming lips re: "the soft bulletin" change of tack to me entirely circles on the fact that they were the first band to provide strong, stimulating and unexpected images while they were performing. otherwise the musicians need to provide some other narrative thread for me between the songs for me to enjoy them. with visual stimulus i get very bored at a gig and people watch...

my best friend does colours with music, but mine are much more like short films really. either memories, or how i would use them if i were making a film - not a video, but a film - either in terms of animation (trying to remember the name of the bloke from the GPO unit in the forties desperately. not coming to me) or in other forms. film means more to me than music does i guess, but nothing pisses me off more than badly placed or used music in a film. but something like louis malle's use of "minor swing" at the beginning of "lacombe lucien" manages to sum up to ME what i am thinking of when i hear reinhardt and grappelli play. i can't listen to any music without that stimulus. sorry. probably not being very lucid i guess...

i'll shut up now

commonswings, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

Several years ago I was in my bedroom listening to "Military Jazz" by Luke Vibert when I suddenly saw little silver flashes of light panning across my field of vision in time with the drums.

Since then I always see these silvery shapes when I listen to drum machine music. They help me understand the spatialization in the music, what the filters are doing, how the pieces lock together, etc.

In fact, I can't imagine listening to techno without visualizing the sounds as shapes or colors or whatnot. I suppose you could picture a DJ rocking the crowd, but how could you keep from visualizing Jeff Mills in front of his computer in his pajamas, picking his nose while he contemplates his snare programming?

vahid, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

If emotions are a way of modeling our values, and music is a way of modeling emotions, (two big ifs which many of you won't agree with, at least across the board), then our mental models of music are models of a model of a model. (Plato would not be happy.)

I think I agree with the model of a model part of this. I know when I'm looking through cds and deciding which one to play, I don't hear snippets from them in my head, but I have some other kind of personal identification of what the music on the album is like.
I've always been able to put 3D objects into my head & rotate and combine them with no problem, or pull up a painting or photograph I've seen, but I don't think that I relate that to music too much. It was more helpful when I was taking piano lessons- when I was memorizing a piece, I could kind of see- not hear- what was coming next in my head. So I had a shape of what the notes I had to play were which wasn't a music staff, but some abstract kind of shape that I couldn't really describe. If I'm just listening to something that doesn't happen, though.
It's damn impossible to describe thoughts like that in words, which makes this pretty difficult to write about. This is a great question, though. I'm surprised no one's yet been snarky & tbrought up the winamp style mp3 visualizers. (;

lyra in seattle, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

I am Dyslexic and music is highly visual for me(it is also why I am one of the worst spellers on ilm...) When I hear music I can get very different images depending on the style of music. At the moment I am listening to Story Of My Life by Social Distortion and seeing the some pastiche of the old video and my own personal associations with the song. I find that vocal music causes very definite and narrative images when I hear it. I have listening to an old Ella Fitzgerald album before bed last night and the static/hiss/pops combined with the old arrangements and recording techniques as well as the vocal performance evoked images of people in the 50's walking down streets or spending time in their homes. I find that vocal music forces me into images of the real world. In some respects I like that, in others I find it very limiting.

When the song is incredible it kind of trancends all the technical aspects of the music for me. When I hear bad idm I see the process behind the track and pick it apart, when I hear bad rock, I think of the band banging away in the studio using this guitar or that... Good music takes me away to some alternate world that is completely enveloping. I see a very beautiful art world where everything is so much deeper and more vivid than anything I encounter in daily life. It is a bit like Warhol said, movies always seem so much more real than life.

I think the reason I prefer electronic music to other musics is that I find it so much more visual and interesting. When I hear something like Tomorrow 01 by Jeff Mills or Minus by Rob Hood or certain tracks from Headphone Easyrider by Baby Ford I see these beautiful images of pure geometry. These georgeous sound worlds that have absolutely no bearing or counterpart in world. It is like taking the painting of Piet Mondrian or Op-Art and coverting it into evolving video. Ambient music is very Rothko to me. Different genre's seem to evoke different worlds and moods.

To me, music is very much painting in sound. Music is better than visual art to me because it is much more involving. When I am really listening to something and enjoying it, I am very much unaware of what is happening around me. It is like walking around in a good painting, but visual art always seems external to me. I am seeing something, I am watching something, but I am never in something. I think in many ways, the worlds that I see in music are more real to me than a lot of the physical places I have actually been to. SAWII by Aphex or Icon by Derrick May seem like real environments to me.

mt, Wednesday, 24 July 2002 00:00 (twenty-three years ago)

if i can imagine the moomins playing it as a band, even if it's techno or abstract soundscapery - that usually means i like it. christmas visuals also v. important - staticky twinkling drones ala rafael toral / /mbv / oval or similar bring to mind tinsel & baubles viewed through a 6am brandy-haze and anything else that does that i love too

bob snoom, Friday, 26 July 2002 00:00 (twenty-three years ago)

Is this my cue to put on some acid rock and say "ooooooh look at all the pretty colors...."?

Lord Custos III, Friday, 26 July 2002 00:00 (twenty-three years ago)

No.

Tracer Hand, Friday, 26 July 2002 00:00 (twenty-three years ago)


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