when i saw them about half the crowd just couldn't/wouldn't keep
quiet for more than thirty seconds
hence nobody heard the whole of one song because they were either
talking or being annoyed and distracted by people talking
i am compensating for this by using every opportunity to tell people
about how loud the crowd really were
they were really loud
what i did hear sounded pleasant enough, and it was good to see those
tiny little sqeaky voices coming out of real people (seeing =
believing)
but despite seeing múm live i'm still largely unaware of what múm
sound like live
― kieran, Friday, 26 July 2002 00:00 (twenty-three years ago)
I almost saw Mum live tonight at the Knitting Factory in NY, but my
friend Agatha had a little mishap with her credit card and we didn't
get tickets after all. Oh well. If you want to here what they sound
like in the studio, go to their Amazon.com page at
<<< www.amazon.com/exec/obidos/ASIN/B000066HH0/qid=1027694497/sr=2-
1/ref=sr_2_1/002-9028860-7967254 >>>
There are several Real Audio clips and some pretty descriptive
reviews. I only found out about them two days ago, but already I
feel like I've known them for three days.
-Sizzla
― Sizzla, Friday, 26 July 2002 00:00 (twenty-three years ago)
Yep, they are fantastic!
Saw them in Brighton in a church and it was the cutest gig I'd seen since the first time I saw Belle and Sebastion.
One of the girls was so shy and would keep coming up to the microphone to speak, but the songs would start
before she plucked up the courage to say anything.
I guess I must have been lucky because the crowd were really quiet, but I know from experience that bands with
dynamics are often drowned out by crowd noise in the quieter sections. This will always happen unless you have
a pretty fanatical crowd (a band such a Low tends to have these kinds of audience) as people use going to gigs as
a social event. The strategy I devised once Mogwai gigs started to be populated by hipster types was to try and
pretend the crowd atmosphere is part of the song. It works quite well despite not being perfect, try it somet
― Chewshabadoo, Friday, 26 July 2002 00:00 (twenty-three years ago)
Here's my review of the Mum show in D.C. last night. It's annoyingly
long:
Last night, at the Black Cat in Washington D.C., I went to
see Mum play. Actually, although Mum fall under the "electronic"
label, I discovered last night that that is misleading and largely
incorrect. Mum do not merely make electronic music- In fact, it's
difficult putting any label on Mum's music, because it is too damn
distinct. It blends a lot of familiar sounds together to create
something new, but there is also a lot of originality in their sound
thanks to the various exotic instruments they play. Calling them an
electronic band misrepresents them because electronics take a
backseat to real, live playing. In fact, the only electronic aspect
of their show last night was some computerized beats, but they were
complimented and/or replaced by an actual drummer.
There are five
people in the band- Throughout the night, the band members switched-
during and in-between songs- instruments like mad. On stage, there
was an accordion, a number of synths and Casio keyboards, a drum kit,
a cello, a music box, 2 laptops, a bass, an electric guitar, and 2
strange instruments that looked like toys but are actually integral
to many of the songs on their new album. These two weird instruments
looked plastic, like something you could buy at Toys 'R Us, but the
sounds that came from them are fucking awesome (I can point out the
specific songs you can hear the instruments on later). One of these
weird instruments looked like a hand-held keyboard with a tube coming
out of it that you blow into. Anyone know what either of them are?
While the drummer stayed behind his drum kit the whole time, the
other 4 members switched around constantly. The two twins (I'll get
to them later) sang, played the cello and accordian, keyboards, bass,
and the two strange instruments. The two guys alternated between the
synths, laptops, guitars and bass, and one of them played some
strange kazoo-like thing too.
The drummer was so fucking good.
His playing was mostly percussive, lots of clanging cymbals and hi-
hats and what not- He was so good at complimenting the computerized
beats and providing a rhythm that I can only describe as a toy
factory. I had no idea they had such a talented drummer- In fact, it
makes me think he may not be a permanent member of the band, that he
might just be touring with them. If not- and I hope he's really in
the band- his presence needs to be heard more on the studio albums.
He had everyone around me dropping their jaws.
Mum's Secret
Weapon: Another thing that sets Mum apart from the typical
electronic band is their two singers- they are twins and, good lord,
they are the two most beautiful, insanely cute women I have
ever laid eyes on. They're physical perfection is
indescribable. When you see them in person, you realize that there
is no chance in hell that they are actually from Earth. And their
voices....OH MY GOD, their voices are just as beautiful as they are.
When they talk, it's so quiet and soft and soothing, that it's barely
audible. A few times throughout the night, they said "Thank you"
after a song, and it was like a faint whisper. But when they sing!!!
Oh man- The minute they opened their mouths to sing, my heart sank,
I got goosebumps and my entire body began to tingle. They have the
best voices ever and they hit every note perfectly as if it
was second-nature.
My girlfriend was there with me and she was
just as awe-inspired by the beauty of their voices and their
gorgeousness. We both thought that the twin who played the accordian
would snap in two when strapped on the big, heavy-looking instrument.
For those who know Mum and are curious, only one twin sings the
vocals on their non-instrumental songs (the one on the right of that
Belle and Sebastian album cover), while the other one occassionally
sings back-up and mostly played the cello.
Ok, so I think I
stressed enough how phenomenal those two women are. Here's the
setlist, mostly out of order:
Finally We Are No One (I'm pretty
sure they opened with this. They definitely played this song, but
I'm having trouble remembering if it was this or another short,
ambient instrumental that they started off with.)
K/Half Noise
(They went right into this. The cooing vocals had everyone in a
trance. It was pure beauty.)
The Green Grass of Tunnel (There
were some nice modifications on the programmed beat on this, and of
course the singing was out of this world.)
We Have a Map of the
Piano (I was so glad they played this- It's one of my favorites from
the new album.)
I Can't Feel My Hand Any More, It's Alright, Sleep
Still (A definite highlight as well. I have a new found respect for
this song.)
The Land Between Solar Systems (Another highlight.
Wow! By the middle of the song, the drummer was smashing away and it
was so gripping. Much better than the incredible studio version if
only because of the added drums.)
Smell Memory- Holy Shit this
was awesome!! This is one of the best songs from their debut, but
this was even better- Live, they sped the bpm up to give it an
irresistible groove. The drums- both programmed and live- were
invigorating as they clanged away and that laser-like sound was extra
loud. So cool.)
Please Smile My Spring Reverb- I was surprised
and, extremely glad, they played something from Please Smile My Noise
Bleed. Very cool.
Now There's That Fear Again- Another favorite
from the new album, this closed the main set.
Encore: They closed
the show out with Awake on a Train, which is basically one long song
split into two sections. It was a great way to end the show- on an
upbeat note and with a song that has so many layers of instruments,
it really shows off how talented they are. And they added some "la
la la's" that made it even better.
All in all, it was a fantastic
show. Thankfully, they played more songs with vocals than
instrumentals and they played every one of my favorites besides
Ballad of the Broken Birdie Records (if they had played that, I think
I would have melted.)
Some other details:
They sure know how to
sell their merchandise: After the show, one of the twins came behind
the merchandise counter and was selling t-shirts. The audience all
flocked there immediately! I bought my t-shirt from her! I was so
close, I could have reached over and touched her!
The opening band-
Phaser- was fucking awful. Ok, the music was ok, even though they
sounded like Radiohead wannabe's, and had a typical boring-ass loud-
soft dynamic. They always took forever to end their songs, they
played too long, and they had really awful fucking lyrics and
singing. One of the singers tried to hit a falsetto and sounded like
a shrieking animals instead. Ughghgh. I couldn't wait for it to be
over.
Before Mum came out, they played Sonic Youth's Dirty and
afterwards they played something by Dirty Three.
That's all I
guess. Great show.
― lou, Sunday, 28 July 2002 00:00 (twenty-three years ago)
nineteen years pass...