Is it worth the struggle?

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In your opinion, is it really worth struggling your way through a book that is over your head, too confusing, too badly written, too boring, too labyrinthine, too enormous, just to say you've read it? I'm mostly pointing my finger here at stuff like 'Ulysses', 'Baudolino', 'The Lord Of The Rings', 'Underworld', 'Infinite Jest', 'War & Peace', plus some other big book, the title of which I cannot recall, and so on. Is it worth the agony, the boredom, just to say you've read it? Is it worth devoting weeks of your life to something from which you will extract nothing except some kind of self-gratification? Is it worth reading this sort of material, in which you really have no vested interest, instead of other material which you will more extensively appreciate, and most importantly, enjoy? Honestly I'd rather reread 'The Outsider' or 'Nausea' for the dozenth time than bleed and vomit my way through a pile of trash - in my opinion - like 'Infinite Jest'. After all, why bother? So I can reach another "literary Everest"? So I can tell people I read it? Because other people keep saying "oh it's fantastic, it's so deep, there's so many meanings"?

I guess what I'm asking is...have you ever forced your way through something that you've hated, just, basically, so you can tell your literary buddies that you've read it? Don't be shy, and don't lie to yourself.

writingstatic (writingstatic), Thursday, 15 January 2004 22:11 (twenty-two years ago)

"a book that is over your head, too confusing, too badly written, too boring, too labyrinthine, too enormous, just to say you've read it?"

Except for too badly written and too boring, I have yet to encounter a book that fits into any of those categories.

I originally wanted to read Ulysses just to say I read it, but I loved it so much that I'd read it again. Baudolino isn't that big a deal because it's in very simple language, really isn't all that long (since when does 500 pages constitute a long book?), and I find that it makes perfect sense after reading some Baudrillard, although it certainly isn't his best fiction.

The Lord of the Rings I read just to have done with people bugging me about it, and it bored me to tears. And that freaking Updike novel I kept reading because I came to the conclusion a long time ago that no bad book would ever beat me; if I pick it up on my terms, I'm putting it down on my terms, end of story. And my terms have, for a long time, been "I will finish every book I start".

There's also books that are terrible if you read them for long stretches, but are brilliant if you take them in short bursts. Tristram Shandy was like that for me.

August (August), Thursday, 15 January 2004 22:27 (twenty-two years ago)

August: I mean 'Baudolino' falls, for me, under one of those categories. A new category, in fact - directionless. It isn't long by any measure.

writingstatic (writingstatic), Thursday, 15 January 2004 23:08 (twenty-two years ago)

no its not but im puzzled that you yoked those books together.

jed_ (jed), Friday, 16 January 2004 00:02 (twenty-two years ago)

OK:


This is a topic that always burns me up. I started rea. Ok, well, it actually makes sense. Somewhere theres a post about book people and movie people. But anwyway.

I started reading Ulysses four or five times between senior year in HS and my second year at college. I made it about half way (chapterwise, that fucking Circe chapter...) twice, my longest trek. It's DEFINITELY WORTH IT. It's a really good book. There's some overpriced companion called the New Bloom's Day Book or somesuch bullshit like that. It's helpful, more elucidation than interpretation.

Inifinte JEst was another one I started several times. But that one. I advice buying two copies or something. Danielewski was onto something when he put footnotes instead of endnotes. Fucking flipping back and forth made me loath it. But IJ isn't that challenging, it's just annoying and long.

It's really just mental discipline. Do you want to be someone who has the strength of self to read a fucking book, or are you too lazy. You could always read some fucking chicken soup book or something to give you inspiration..

B. Michael Payne (This Isnt That), Friday, 16 January 2004 00:04 (twenty-two years ago)

Jed: Because, to me, they're all carved from the same huge lump of shit.

writingstatic (writingstatic), Friday, 16 January 2004 00:14 (twenty-two years ago)

B. Michael: Uh, yes. Because something is worthless, on every single level, I'm lazy for not wanting to bother with it, regardless of what people say? How does that work? It's like staring at a blank screen for ten hours straight.

writingstatic (writingstatic), Friday, 16 January 2004 00:17 (twenty-two years ago)

writingstatic - i agree with B Michael - if you think any of these books are "worthless, on every single level" i'd stick to ishiguro or whatever.

jed_ (jed), Friday, 16 January 2004 00:24 (twenty-two years ago)

jed: Then explain to me their worth. Define their value to me. Having no doubt read every single one of them in a matter of minutes, it would appear you are in a position to not only outline their content to me in a few choice words. Obviously you didn't come away from them a better, more understanding and more tolerant person, so what did they accomplish? Did they tell you that personal taste is not subjective, but universal? Did they tell you that the longer and more turgid something is, the better it is? Did they improve you as an individual? People keep telling me I am a fool for not reading them, but nobody can seem to explain to me why. Are you the person I have been looking for, the person who can clearly define to me why 'Ulysses' is not, in fact, a piece of crap, but is intstead a marvellous artistic achievement surpassing anything else in humankind?

Please, please be that person. You seem quick to dismiss my own tastes (of which, incidentally, you have no idea), but seem to struggle with articulating the reasons for your own biases. Biasi? It's a quandary! Does Joyce answer that question, too?

writingstatic (writingstatic), Friday, 16 January 2004 00:53 (twenty-two years ago)

I think in order to enjoy Ulysses you have to be a fan of a) extreme literary experimentalism, b) dense intertextuality, and c) plot and characters that are vehicles for a and c, and d) theoretical constructs driving literary creation. It's not everyone's cup of tea, by any stretch, and for a long time it wasn't mine.

I don't find Baudolino directionless. Well, the plot is, but the constructs that hold it together I find quite well done, and I'm more interested in what Eco has to say (through the medium of fiction) about Baudrillard and performative aspects of truth and language than I am in finding out what happens to the characters. And I'm not saying that you aren't capable of enjoying those things too, but those might not be the things that you wanted to get out of the book, and I don't blame you for not liking it.

Ulysses is a whole other story. I find it to be downright funny in parts, wildly creative, rarely dull (the exception being the Nighttown sequence), and full of a lot of things that I really really like in literature (engagement with other traditions, intertextuality, old forms in new roles, pastiche and parody), and a few things that, as a writer, I want to try. I can see why a lot of people wouldn't like it, but I can also see how it managed to get its reputation for greatness.

I can't comment on the other books (except LOTR, which I've already mentioned, although I did think it had a few good points), because I haven't read them, but they are all on my list, actually.

August (August), Friday, 16 January 2004 01:13 (twenty-two years ago)

I have banged on at some length about my love for Ulysses on at least three other threads and won't do it again - it really is one of the supreme acheivements in any art form. see here Slaying the sacred cow - literary "classics" you think are rubbish (in fact see pete s's praise of the book just after my post - he describes exactly why it towers above almost every other book ever) and here Post A Favorite Sentence(Or 2 Or 3)From Something You Are Reading(Or Have Read) for starters.

Because something is worthless, on every single level, I'm lazy for not wanting to bother with it, regardless of what people say?

it's you that's being dismissive not me.

jed_ (jed), Friday, 16 January 2004 01:57 (twenty-two years ago)

Because something is worthless, on every single level, I'm lazy for not wanting to bother with it, regardless of what people say?

if you feel this way why should anyone bother to defend them against you?

jed_ (jed), Friday, 16 January 2004 01:59 (twenty-two years ago)

Jed: What I perhaps didn't make clear is that I have *tried*. With the exception of 'War & Peace' I have read my way through (maybe "read" is too strong a term..."moved my eyes"?) every one of the books I mentioned, from start to finish. I just couldn't come to terms with any of it and wondered at the point, and regretted not having spent that time on something else. Yet still people say to me "read it again, you're useless!" but if I can't get the literary masterpiece of all time in the first run, I have to wonder, who decides these things? Hence my dismissiveness.

I burnt my tongue on my lunch. Damn miso beef. Anyway, it's clear we all have vastly different tastes, and don't you think that's good?

writingstatic (writingstatic), Friday, 16 January 2004 02:24 (twenty-two years ago)

yes indeed i do - keep em coming! :)

jed_ (jed), Friday, 16 January 2004 02:27 (twenty-two years ago)

I used to force myself to finish books that went way over my head. This was mainly when I was in high school and college. Though it may be laughable from a certain perspective - forcing yourself to ingest words whose meaning escapes you - I think it may have done me some good. Even if you don't get what the writer wanted you to get, you do get something. Even a superficial appreciation is still a form of encountering a work. And little bits of it are bound to get through. I had to struggle a bit to finish Gravity's Rainbow - the end got especially hard for me to follow. But there was plenty of sugar in there to help the medicine go down - little things that turned my ideas about writing on their head. Then I read the whole thing again. One nice thing about forcing yourself to read something that goes over your head is that when you re-read it, you find lots of things you missed the first time.

o. nate (onate), Friday, 16 January 2004 02:33 (twenty-two years ago)

You can also put something down that you didn't get and go back to it YEARS later and it will all be crystal clear. There were some things that I just wasn't ready to get OR appreciate years ago that I read now and enjoy thoroughly. Sometimes it's just not the right time for certain things for lots of reasons. And this applies to all art. Painting, Music, whatever. When i was a snotty kid i thought a lot of abstract art was crap. Now, I love lots of it. And it's not just an age thing either. It's a mind thing. It's a "i feel like shit and this big fucking monster of a book is pissing me off and all i want to do is read some crime novels cuz i don't feel like eating my broccoli right now" thing. It's lots of things.
But writingstatic, i gotta ask, who are these evil people telling you yer worthless for not liking Ulysses? Tell them to piss off and go read what you like.

scott seward (scott seward), Friday, 16 January 2004 02:42 (twenty-two years ago)

having said that, try The Names or White Noise or even Mao II by Delillo. He has written some wonderful things. I didn't want to read Underworld for various reasons. I've talked about them elsewhere. I have no intention of ever reading Infinite Jest. I really like his journalism though. Lord of the Rings? Loved the movies! I read the Hobbit as a kid, i enjoyed that. War & Peace i am really looking forward to reading someday. I love Tolstoy. His short stories are some of the greatest things I've ever read in my life. You should try some of those. They won't be as painful to lift. Ulysses i've never read, but i have a copy that i enjoy dipping into. I read it sometimes to my 1 year old to see what he thinks.. My wife and I read a passage at a Bloomsday celebration at the Rosenbach museum in Philadelphia and that was great fun (they have the original manuscript there). It's really wonderful to hear Ulysses spoken. Same with Finnegan's Wake. Baudolino? dunno, yer on your own there.

scott seward (scott seward), Friday, 16 January 2004 02:52 (twenty-two years ago)

When i was a snotty kid i thought a lot of abstract art was crap. Now, I love lots of it

That's funny. I'm kind of the reverse of that. When I was a snotty kid, I thought abstract art was like really deep, maaaan. Now I'm much more likely to find it a bit yawnsome.

o. nate (onate), Friday, 16 January 2004 02:54 (twenty-two years ago)

I really loved cartoonists and illustrators and comic book artists and realism when it came to painting when I was a kid. Although, come to think of it, my favorite painter was probably Munch after I saw a show at MOMA when i was, i dunno, 11? 12? I liked Warhol, but it was stuff like Abstract Expressionism that left me cold. I couldn't understand why people wanted to paint colors and squares. Years later a lot of that stuff (not all) looks amazing to me. Nowadays, who knows what I like. Richter, Kiefer, crazy people painting on road signs. i don't keep up with art like i used to.

scott seward (scott seward), Friday, 16 January 2004 03:03 (twenty-two years ago)

I choked down Focaults Pendulum with dry toast and when I finished it I had no idea what the hell I just read. Was it worth it to stick to it? Yes, because I was able to discuss it with others who read it and it helped me to understand what I had just read, my brain still quivers, but ultimately it was worth it.

Cupie (Cupie), Friday, 16 January 2004 03:06 (twenty-two years ago)

maybe you should try and get other 'literary buddies'.

Julio Desouza (jdesouza), Friday, 16 January 2004 09:25 (twenty-two years ago)

it comes down to whether or not you like to be challenged or confused or even completely baffled by a book, which i prefer to reading something "decent".

jed_ (jed), Friday, 16 January 2004 11:50 (twenty-two years ago)

If you want to know about the history of literature it's worth trying all the books that are said to be great, even if you don't get them. I found "War and Peace", "Nostromo", "The Red and the Black", "The Castle", and "Ulysses" hard work, but I'm glad I read them because they give me perspective. When I find a "classic" writer I love, though, I go through as much of their work as I can lay my hands on; that's happened to me with Shakespeare and Dickens.

As far as Ulysses is concerned, I have to say that I didn't like it. That isn't to say that I don't appreciate why others like it, but I am starting to tire of the superiority complex shown by some of its admirers on this board. The reason I don't like it is quit simply that I find the language affected. It might be a great work of art, but it comes over to me as written by a word nerd. Finnegans Wake I can't get through at all because that tendency, as far as I can see, goes out of control.

R t V (Jake Proudlock), Friday, 16 January 2004 13:59 (twenty-two years ago)

The only reason people are always defending it is because others are always dismissing it.

jed_ (jed), Friday, 16 January 2004 14:13 (twenty-two years ago)

It might be a great work of art, but it comes over to me as written by a word nerd.


Yikes! I'm a word nerd and proud of it! You do know that the name of this board is I Love Books, right?

scott seward (scott seward), Friday, 16 January 2004 14:22 (twenty-two years ago)

What I mean is "logghoroeic".

R t V (Jake Proudlock), Friday, 16 January 2004 14:53 (twenty-two years ago)

Hang on: thought I'd better look the spelling up:

Logorrheic.

R t V (Jake Proudlock), Friday, 16 January 2004 14:59 (twenty-two years ago)

I don't care for this sort of stuff, in other words:

The proud potent titles clanged over Stephen's memory the triumph of
their brazen bells: ET UNAM SANCTAM CATHOLICAM ET APOSTOLICAM ECCLESIAM: the slow growth and change of rite and dogma like his own rare thoughts, a chemistry of stars. Symbol of the apostles in the mass for pope Marcellus, the voices blended, singing alone loud in affirmation: and behind their chant the vigilant angel of the church militant disarmed and menaced her heresiarchs. A horde of heresies fleeing with mitres awry: Photius and the brood of mockers of whom Mulligan was one, and Arius, warring his life long upon the consubstantiality of the Son with the Father, and Valentine, spurning Christ's terrene body, and the subtle African heresiarch Sabellius who held that the Father was Himself His own Son. Words Mulligan had spoken a moment since in mockery to the stranger. Idle mockery. The void awaits surely all them that weave the wind: a menace, a disarming and a worsting from those embattled angels of the church, Michael's host, who defend her ever in the hour of conflict with
their lances and their shields.

R t V (Jake Proudlock), Friday, 16 January 2004 15:15 (twenty-two years ago)

i haven't read many of the huge doorstop books being discussed on this thread,but i do intend to...
i really like the idea of a huge,labyrinthine book you can get well into for a month or two,and then re-read after a while to pick up on the bits you might have missed...

having said that i am one of those people who isn't the best at following complicated books,and this can piss me off at times,but there's no point worrying about whether that will happen...for the moment though,i do tend to read shorter books,just because i don't spend as much time as i would like to reading,so i prefer to get a good variety of reading...

ulysseys seems to make people particularly defensive,with other books people are quite content to say that they didn't like it,but people seem to think ulysses is some sort of intelectual conspiracy to
make people look stupid...
i havent read it yet,but i know that my dad,who would have no time for postmodern shenanigans or whatever people write it off as,considers it his favourite book...
anyone read finnegans wake?
now that sounds difficult to say the least...

robin (robin), Friday, 16 January 2004 15:19 (twenty-two years ago)

I think that at some point I should go back and re-read some of the "classics" that I read when I was younger, because I suspect that I'd get a lot more out of them now. It's not just improved vocabulary or reading comprehension - I think part of it is just life experience. When you're older you may be better able to notice when the author is being ironic, or to see the humor in a situation, or to empathize with the characters in certain situations.

o. nate (onate), Friday, 16 January 2004 17:53 (twenty-two years ago)

Baudolino I enjoyed quite a bit even though Baudrillard is just a French guy to me. I'll say it dragged out a little towards the end, but it remained continually compelling, simply because as a storyteller Eco spun Prester John into this hugely mythic character that I just had to meet. Cloven women and all.

Gravity's Rainbow -- I don't find the prose dense at all, but that's probably because the way I read focuses on the extreme immediate phrase and not the whole sentence. Great cornerbacks are supposed to have short memories -- I say reading GR could use a short memory too and simply enjoy the sex and the jokes.

Ulysses is a different can of worms. First time I read it I was dumbfounded. But like others, I assumed it was my fault for not getting it and read it again, and the familiarity with it cut through the opacity of text and led me to realize the immense beauty of a chapter like "Sirens." And reading it a third+ time, that's when I was able to hear the jokes and the accents (and also the sex). On a purely primary level, Ulysses is an utter joy. (I'm sure I could map this experience onto Finnegans Wake (of course, on a larger scale) if only I could commit myself to another 5 months to reread it.)

Underworld though I only read half.

The moral: enjoy a book for sex, humor and the sheer rhythm of its prose.

Leee Majors (Leee), Friday, 16 January 2004 22:18 (twenty-two years ago)

whoa this thread is long. i just wanted to pipe in that i especially liked the comment said by whomever about the supposed intellectual conspirators (you said -cy) making people look stupid w/Ulysses. I thought it was a good book, it was difficult. If you don't like it then it's not your thing. It's no one else's position to foist it upon you. If you do like it, you probably do feel like an intellectual superior and that's sheer wankery. Doubtless, it's more scrutible than John Cage's 4'33" or the Mark Rothko's Seagram Murals; it's a figurehead of modernism and that's been on the decline for, what, fifty years or more? But none of that matters: if you don't like it, you don't like it. I've never seen The Hours and I hated that movie. I'm sure that's how some people feel about Ulysses.

B. Michael Payne (This Isnt That), Tuesday, 20 January 2004 23:45 (twenty-two years ago)

On Tolstoy: I haven't read several of the books under discussion (and with Gravity's Rainbow, I don't consider what I did--a long, mostly uncomprehending slog to the finish--"reading"). But Tolstoy is wonderful, and in terms of style, not at all complex--it's just that there's all those characters to keep track of. What impresses me is (a) his ability to portray simple human happiness without getting impossibly cloying, (b) his ability to portray massive stretches of human life, to keep going on and on the way life does, and (c) his ability to portray complex characters and LOTS of them. Some people don't like that, naturally; they like compression and refinement better. They like Henry James or Flaubert or Raymond Carver or Idunnowho. That's fine with me. But personally, I like War and Peace.

This is not a judgment on the character of anyone who disagrees with me, and I hope I won't be personally insulted (as "pretentious," "tasteless," "snobby," "a word-nerd," or any of the words that get flung around when people get into a fight about Ulysses and similarly long books) by anyone who happened not to like War and Peace.

Phil Christman, Wednesday, 21 January 2004 19:24 (twenty-two years ago)


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